There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. u8^lB7! e/
THE SCANNER Z+SRXKQ
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. ~*7] r`6\@
THE FILM g(g& TO
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. H,J8 M{
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). ooGM$ U
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The following films are included in the Classic Lab: /reX{Y
Agfa Optima 100 @HW *09TG
Agfa Precisia CT 100 XP %y@AA>x!
Agfa Vista 100 YIE<pX4Q7)
Agfa Vista 400 G3]4A&h9v~
Agfa Vista 800 E^PB)D(.
Agfa XPS 160 J,G
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CineStill 50D GILfbN cd
CineStill 800T 3T
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Fuji 160C !k%# R4*>
Fuji 160S d-m7 } 2c
Fuji 400h ivPg9J1S
Fuji 800Z )[ ,A_3E
Fuji Astia 100 wBzC5T%,
Fuji Fortia SP d _
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Fuji Provia 100 XP Y7nvHU|+o
Fuji Provia 100F *I'yH8Fcn
Fuji Provia 400X &zhAh1m
Fuji Sensia 100 Bt#N4m[X*|
Fuji Sensia 100 XP #g=XUZ/"
Fuji Superia 100 x"(KBEK~
Fuji Superia 400 v:p} B$
Fuji Superia 800 K^$=dLp
Fuji Superia 1600 AS,%RN^.
Fuji T64 F?cK- .
Fuji Velvia 50 BHw, 4#F1;
Fuji Velvia 100 y]im Z4{/
Fuji Velvia 100F :EH=_"
Kodak E100G M;NX:mX9
Kodak E100VS q; U,s)Uz^
Kodak E200 ]?)TdJ`
Kodak E200 XP C>~TI,5a3
Kodak Ektachrome 64 Tr|JYLwF
Kodak Ektachrome 64T AEuG v}#
Kodak Ektar 100 Ug`djIL
Kodak EliteChrome 160T bfO=;S]b!
Kodak Gold 100 i&k7-<
Kodak Gold 200 CJ%I51F`X
Kodak Max 800 rbQR,Nf2x
Kodak Portra 100T h1{ 3njdr
Kodak Portra 160 ?}7p"3j'z
Kodak Portra 400 5coZ|O&f8
Kodak Royal Gold 400 p#[.{
Kodak Ultra Max 400 <1%$Vq
Kodak Ultra Max 800 %bf Zn9_m
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme *' X3z@R
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