There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. +R:(_:7
THE SCANNER &=m tc%mL
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. 6j|{`Zd)G
THE FILM |CbikE}kL
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. @oGcuE
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). %
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The following films are included in the Classic Lab: buHJB*?9
Agfa Optima 100 \a3+rN dj
Agfa Precisia CT 100 XP S$-7SEkO+
Agfa Vista 100 W[r>.7>?h
Agfa Vista 400
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Agfa Vista 800 XL/u#EA0<
Agfa XPS 160 8z q=N#x
CineStill 50D Ab;.5O$ y
CineStill 800T hOK8(U0
Fuji 160C )0k53-h&
Fuji 160S 4s
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Fuji 400h )D%~` ,#pQ
Fuji 800Z G=bCNn<
Fuji Astia 100 J] r^W)O
Fuji Fortia SP ~pky@O# b
Fuji Provia 100 XP 7F.4Ga;
Fuji Provia 100F 3=V &K-
Fuji Provia 400X ;722\y(Y
Fuji Sensia 100 ql~J8G9
Fuji Sensia 100 XP |;{6 & S
Fuji Superia 100 ;q>ah!"k
Fuji Superia 400 >y+B
Fuji Superia 800 >=w)x,0yX
Fuji Superia 1600 tfWS)y7
Fuji T64 }Ou}+ ^Bc
Fuji Velvia 50 :[d9tm
Fuji Velvia 100 dqcL]e
Fuji Velvia 100F u)Whr@m
Kodak E100G L-&\\{ X
Kodak E100VS WTiD[u
Kodak E200 ]h V*r@d
Kodak E200 XP MiX 43Pk]
Kodak Ektachrome 64 &uVnZ@o42
Kodak Ektachrome 64T iH'p>s5L
Kodak Ektar 100 uhq8
Kodak EliteChrome 160T *qpSXmOz
Kodak Gold 100 w& .a QGR#
Kodak Gold 200 RPbZ(.
Kodak Max 800 -trkA'ewZ
Kodak Portra 100T bvOq5Q6
Kodak Portra 160 2st3
Kodak Portra 400 0<*<$U
Kodak Royal Gold 400 /BL4<T f
Kodak Ultra Max 400 q ZZK#,Qb
Kodak Ultra Max 800 U
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Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme tpx2 IE
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