There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. |H-zm&h>'
THE SCANNER ' $be+Z32
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. ;rh@q4#
THE FILM G(7WU Mjl
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. G9a6 $K)b
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). g=n /w
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The following films are included in the Classic Lab: Y**|e4
Agfa Optima 100 $"]*,=-X
Agfa Precisia CT 100 XP xsdi\
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Agfa Vista 100 Oi4tG&q
Agfa Vista 400 WkR=(dss8
Agfa Vista 800 ]B r 6!U4~
Agfa XPS 160 %w3"B,k'9D
CineStill 50D 0P_3%
CineStill 800T 0Wc8\c
Fuji 160C Z`Sbq{Kx
Fuji 160S o+^5W
Fuji 400h B`<K]ut
Fuji 800Z C( kIj
Fuji Astia 100 79O'S du@
Fuji Fortia SP ]:r6
Fuji Provia 100 XP B (h%>mT[
Fuji Provia 100F D>efr8Qd@
Fuji Provia 400X 6#DDMP8;I
Fuji Sensia 100 s'Wu \r'
Fuji Sensia 100 XP C6{\^kG^j2
Fuji Superia 100 Th>ff)~ e
Fuji Superia 400 9B<aYp)
Fuji Superia 800 Iu| 4QE
Fuji Superia 1600 Gj H$!P=.
Fuji T64 @m+2e C77
Fuji Velvia 50 T_/ n#e
Fuji Velvia 100 ^ ^T e
Fuji Velvia 100F -#<AbT
Kodak E100G qe<aJn
Kodak E100VS hxe X6
Kodak E200 ,,HoD~]rd
Kodak E200 XP 6Mh"{N7
Kodak Ektachrome 64 9mRP%c#(
Kodak Ektachrome 64T ^bG91"0A
Kodak Ektar 100 v1}9i3Or#
Kodak EliteChrome 160T 7*\Cf qrU
Kodak Gold 100 6%L#FS I
Kodak Gold 200 L~|_C Rw
Kodak Max 800 +*L<"@
Kodak Portra 100T SQs+4YJ
Kodak Portra 160
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Kodak Portra 400 )0?u_Z]w9
Kodak Royal Gold 400 R@~=z5X( Q
Kodak Ultra Max 400 "DvhAEM
Kodak Ultra Max 800 #Oi{7~
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme ;u;_ \k<qK
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