There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. WR)=VE
THE SCANNER Mj MDD
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. I9S;t _Z<
THE FILM il5C9ql$
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. 35& ^spb
dH^6K0J
This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). <?nI O
W`;;f Je
4!/JN J
lGd'_~'=
The following films are included in the Classic Lab: r(>S
Agfa Optima 100 uQ5h5Cfz
Agfa Precisia CT 100 XP ~= |}!A(
Agfa Vista 100 $jN.yNm0
Agfa Vista 400 pLB2! +
Agfa Vista 800 c@t?R$c
Agfa XPS 160 z'q~%1t
CineStill 50D OIrm9D #
CineStill 800T M~t aZt4
Fuji 160C N(&{~*YE
Fuji 160S @t9HRL?T~
Fuji 400h GJ,&$@8)
Fuji 800Z PM\Ju]
Fuji Astia 100 M~:_^B
Fuji Fortia SP <~ smBd
Fuji Provia 100 XP (;l@d|g
Fuji Provia 100F ic2 D$`M
Fuji Provia 400X :; +!ID_
Fuji Sensia 100 6 8tyWd}
Fuji Sensia 100 XP f7=MgFi
Fuji Superia 100 / FcRp ,"
Fuji Superia 400 UR sx>yx
Fuji Superia 800 _?c.m*)A
Fuji Superia 1600 F9r.DG$}
Fuji T64 k~>(XG[x&
Fuji Velvia 50 %B%_[<B
Fuji Velvia 100 -zg*p&F
Fuji Velvia 100F ?@b6( f
xX
Kodak E100G [6!k:-t+
Kodak E100VS LDlYLs F9
Kodak E200 P<]U
Kodak E200 XP uavATnGO{B
Kodak Ektachrome 64 gu
k,GF9p]
Kodak Ektachrome 64T %ih\|jR t
Kodak Ektar 100 l9.`2d]o
Kodak EliteChrome 160T f8Hq&_Pn
Kodak Gold 100 LqWiw24#
Kodak Gold 200 6FB 0g 8
Kodak Max 800 0+>g/ >
Kodak Portra 100T 6<&A}pp
Kodak Portra 160 ^#_gk uyd!
Kodak Portra 400 8~'c P?
Kodak Royal Gold 400 lJK]S=cd
Kodak Ultra Max 400 S@qPf0dL<
Kodak Ultra Max 800 j\uZo.Ot+
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme G@7^M}
FQ WjL>NB
