There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. D JXmGt]
THE SCANNER fF$<7O)+]
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. L_uVL#To
THE FILM NMa} {*sQ
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. ~ Ei $nV
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). 9N%We|L,c
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The following films are included in the Classic Lab: t7dt*D_YqK
Agfa Optima 100 Pw7]r<Q
Agfa Precisia CT 100 XP J!v3i*j\
Agfa Vista 100 [' X]R: 3h
Agfa Vista 400 "3)C'WlEy/
Agfa Vista 800 +,T RfP
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Agfa XPS 160 B:;pvW]
CineStill 50D @fZ, .2ar
CineStill 800T 7a =gH2]&
Fuji 160C o/$}
Fuji 160S fo*2:?K&
Fuji 400h \ =?a/
Fuji 800Z hLd^ agX
Fuji Astia 100 '8RsN-w
Fuji Fortia SP zU kgG61
Fuji Provia 100 XP (>UZ<2GPL
Fuji Provia 100F h:b)Wr
Fuji Provia 400X N
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Fuji Sensia 100 53;}Nt# R
Fuji Sensia 100 XP axv>6 k
Fuji Superia 100 q1 $N>;&
Fuji Superia 400 RE 7?KR>
Fuji Superia 800 8rnwXP BN
Fuji Superia 1600 =r?hg GWe
Fuji T64 c@!_ /0
Fuji Velvia 50 ;v)JnbsH}
Fuji Velvia 100 0U(@ = 7V
Fuji Velvia 100F 67JA=,EE
Kodak E100G (^8Y|:Tz
Kodak E100VS Zw
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Kodak E200
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Kodak E200 XP n71r_S*
Kodak Ektachrome 64 VuhGx :Xl
Kodak Ektachrome 64T l[mW f
Kodak Ektar 100 Gv!2f
Kodak EliteChrome 160T =V, mtT
Kodak Gold 100 vsCCB}7\
Kodak Gold 200 =1FRFZI!j
Kodak Max 800 I+ %[d^,
Kodak Portra 100T )0. kv2o.
Kodak Portra 160 &=@IzmA
Kodak Portra 400 KVoS
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Kodak Royal Gold 400 !=*g@mg F
Kodak Ultra Max 400
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Kodak Ultra Max 800 [i21FX
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme 4x=v ?g&
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