There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. C.M]~"e
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. ,Q~C
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. J R='c)6:
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). hawE2k0p(
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The following films are included in the Classic Lab: cl s-x@
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Agfa Optima 100 Tdvw7I- q
Agfa Precisia CT 100 XP 5nL,sF d
Agfa Vista 100 L=zt\L
Agfa Vista 400 VHhW_ya1g{
Agfa Vista 800 Y Gb&mD
Agfa XPS 160 sr(f 9Vl
CineStill 50D ^DZ(T +q,
CineStill 800T n DLr17
Fuji 160C zx
Fuji 160S Wt2+D{@8
Fuji 400h |ho|Kl `=
Fuji 800Z N-
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Fuji Astia 100 fy at-wbb
Fuji Fortia SP GrWzgO
Fuji Provia 100 XP |`d5Y#26
Fuji Provia 100F noz&4"S.{
Fuji Provia 400X V 4Y w"J
Fuji Sensia 100 z Q tg]@S
Fuji Sensia 100 XP u'"VbW3u n
Fuji Superia 100 lqPz DdC^>
Fuji Superia 400 'Dl31w%:
Fuji Superia 800 67zCil
Fuji Superia 1600 xf/
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Fuji T64 T@c{ 5a
Fuji Velvia 50 871taL=
Fuji Velvia 100 >*v!2=
Fuji Velvia 100F nY7
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Kodak E100G Z~O1$,Z
Kodak E100VS lc%2fVG-e
Kodak E200 tjw4.L<r
Kodak E200 XP Y{~[N y E
Kodak Ektachrome 64 z& !n'N <C
Kodak Ektachrome 64T &sJZSrk|
Kodak Ektar 100 G2Zr (b')
Kodak EliteChrome 160T 6{/HNEI*1
Kodak Gold 100 k!Y7 Rc{"
Kodak Gold 200 8:V:^`KaSs
Kodak Max 800 E>xd*23+\
Kodak Portra 100T jcNY W_G
Kodak Portra 160 [43:E*\$
Kodak Portra 400 m4FT^ ^3yE
Kodak Royal Gold 400 AN ;SRl
Kodak Ultra Max 400 +[$d9
Kodak Ultra Max 800 &HdzbKO=
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme "W:#4@
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