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- 2614
- 主贴数
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- 鲜花
- 73
- 我的相机
- 1Dx
- PS版本号
- PhotoShop CC2018
- 辅佐软件
- LightRoom
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q% JV"9, There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. HsO=%bb THE SCANNER qYpHH!!C= A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. ^|8cS0dK]Q THE FILM 9u:MF0:W The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. UL oTPx@N
>Mn"k\j4 This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). I($u
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A$-{WN.W The following films are included in the Classic Lab: Vbwbc5m} Agfa Optima 100 "['YMhu_
Agfa Precisia CT 100 XP Jb0]!*tV
Agfa Vista 100 ok7 DI
Agfa Vista 400 {"@ Bf<J#
Agfa Vista 800 ;T/' CD
Agfa XPS 160 hI?<F^b
CineStill 50D t);5C w _
CineStill 800T xNjA>S\]W5
Fuji 160C NeNKOW#X
Fuji 160S 2Y$==j
Fuji 400h bG\1<:6B
Fuji 800Z V @8X .R>
Fuji Astia 100 );=JoRQ{
Fuji Fortia SP 654PW9{ (
Fuji Provia 100 XP +LrW#K;
Fuji Provia 100F I \4 I,ds
Fuji Provia 400X D:){T>
Fuji Sensia 100 uE/qr aA
Fuji Sensia 100 XP 4
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Fuji Superia 100 ,m0=zH4+:
Fuji Superia 400 js2?t~E]
Fuji Superia 800 `G H6$\:
Fuji Superia 1600
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Fuji T64 {'{ssCL
Fuji Velvia 50 mz/KGZ5t
Fuji Velvia 100 sp AYb<
Fuji Velvia 100F I /RvU,
Kodak E100G -7\ RO%U
Kodak E100VS t jYe82
Kodak E200 ' O2{0
Kodak E200 XP a'Aru^e l
Kodak Ektachrome 64 P`RM"'Om
Kodak Ektachrome 64T n j1 cqh
Kodak Ektar 100 hLO nX<%a
Kodak EliteChrome 160T <w08p*?
Kodak Gold 100 5>$*#0%"}
Kodak Gold 200 IzkZ^;(N
Kodak Max 800 sp'q=^t
Kodak Portra 100T {}vW=
Kodak Portra 160 ])0&el3-
Kodak Portra 400 |+ @
Kodak Royal Gold 400 mrk Q20D
Kodak Ultra Max 400 _d)w, ;m#
Kodak Ultra Max 800 z_r W1?| Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme mn4j#- (w4#?_
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