There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. ekf$dgoR
THE SCANNER K7vw3UwGN
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. xcCl
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THE FILM |E/L.gdP7
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. }ZZ5].-a<D
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). 1@sM1WM X
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The following films are included in the Classic Lab: U Lmg$T&
Agfa Optima 100 &;q<M_<
Agfa Precisia CT 100 XP D>T],3U(H
Agfa Vista 100 !#D=w$@r:
Agfa Vista 400 >N`6;gn*l
Agfa Vista 800 =)<3pG O
Agfa XPS 160 FJM;X-UOY
CineStill 50D &b C}3D
CineStill 800T Sg*0[a3z
Fuji 160C 2C+(":=}
Fuji 160S U_z2J(e~
Fuji 400h ;\)=f6N
Fuji 800Z (hZ:X)E >
Fuji Astia 100 1|y$~R.H
Fuji Fortia SP Nofu7xiDw[
Fuji Provia 100 XP L0h
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Fuji Provia 100F 4,eQW[;kk
Fuji Provia 400X f5dR 5G
Fuji Sensia 100 a, K ky ^B
Fuji Sensia 100 XP q7]>i! A
Fuji Superia 100 Fb Sa ~uN
Fuji Superia 400 |DG@ht
Fuji Superia 800 +/'<z
Fuji Superia 1600 d;suACW
Fuji T64 r)l`
Fuji Velvia 50 \gKdD S
Fuji Velvia 100 X}JWf<=q
Fuji Velvia 100F r:l96^xs
Kodak E100G oFg'wAO.
Kodak E100VS hFb
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Kodak E200 w{7 ji}
Kodak E200 XP Wpm9`K
Kodak Ektachrome 64 mc@M ,2@D
Kodak Ektachrome 64T xl !K;Y2<
Kodak Ektar 100 (ppoW
Kodak EliteChrome 160T CUhV$A#oo
Kodak Gold 100 Gi$gtLtN h
Kodak Gold 200 [QEw K|!L
Kodak Max 800 Q)6va}2ai
Kodak Portra 100T Z$2L~j"=!
Kodak Portra 160 Sni=gZ K
Kodak Portra 400 V2`;4d X*2
Kodak Royal Gold 400 ,?b7 8_,2
Kodak Ultra Max 400 V,4.$<e
Kodak Ultra Max 800 @!H
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Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme U}P,EP%p
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