There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. *O+G}_}
THE SCANNER t[Xx LG*
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. ;gu_/[P
THE FILM A90o X1l
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. g,@0 ;uVq
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). JF IUD{>fp
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The following films are included in the Classic Lab: M`- .0
Agfa Optima 100 _t _X`
Agfa Precisia CT 100 XP 0j F~cV
Agfa Vista 100 Kzfa4C
Agfa Vista 400 F\ yxXOI
Agfa Vista 800 j
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Agfa XPS 160 !
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CineStill 50D H~^am
CineStill 800T Uo#% f+t
Fuji 160C Gcna:w>6d
Fuji 160S HY4X;^hF
Fuji 400h dd@qk`Zl&A
Fuji 800Z }E+#*R3auB
Fuji Astia 100 1D sgU6"
Fuji Fortia SP 8A~ 5@
Fuji Provia 100 XP 9# IKb:9k
Fuji Provia 100F )4vZIU #
Fuji Provia 400X s+8
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Fuji Sensia 100 3.Oc8(N^}
Fuji Sensia 100 XP 2j+v\pjYC
Fuji Superia 100 lED-Jo2
Fuji Superia 400 PF+v[h;,
Fuji Superia 800 `BG{\3>
Fuji Superia 1600 DJ2EV^D+P
Fuji T64 mp:%k\cF|
Fuji Velvia 50 |[7xTD
Fuji Velvia 100 yZE"t[q#O
Fuji Velvia 100F >
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Kodak E100G &.,ZU\`zT
Kodak E100VS T \5 5uQ
Kodak E200 5zWxI]4d\
Kodak E200 XP KWq7M8mq
Kodak Ektachrome 64 uW3`gwwlU
Kodak Ektachrome 64T SQ9s
Kodak Ektar 100 X>( ?
Kodak EliteChrome 160T . T6fPEb
Kodak Gold 100 9
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Kodak Gold 200 v}q3_m]
Kodak Max 800 7@NAk y(
Kodak Portra 100T (,#R j$W
Kodak Portra 160 -K9bC3H
Kodak Portra 400 '8R5?9"
Kodak Royal Gold 400 T0 J"Wr>WY
Kodak Ultra Max 400 l *T> 9yC
Kodak Ultra Max 800 n a , j
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme *,A?lX,9A
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