There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. XuVbi=pN.2
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. Z6
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. ;sT7c1X^!
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). q UY;CEf
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The following films are included in the Classic Lab: A84I*d
Agfa Optima 100 ]HgAI$aA,
Agfa Precisia CT 100 XP vClD)Ar
Agfa Vista 100 hug8Hhf_&
Agfa Vista 400 CD:@OI
Agfa Vista 800 X8~ cWW
Agfa XPS 160 =m xmJFA
CineStill 50D Z f4Xt
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CineStill 800T g |a2z_R
Fuji 160C N5Eb.a9S
Fuji 160S ? dV F@
Fuji 400h ~N&j6wHg#
Fuji 800Z aF1pq
Fuji Astia 100 U{"&Jj
Fuji Fortia SP l}&egq
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Fuji Provia 100 XP S^]i
Fuji Provia 100F ?{mFQ
Fuji Provia 400X NmthvKhH
Fuji Sensia 100 Y? = +A4 v
Fuji Sensia 100 XP f`*Ip? V-
Fuji Superia 100 v<,? %(g)7
Fuji Superia 400 g<-x" $(C&
Fuji Superia 800 X<9jBj/t
Fuji Superia 1600 v[T5D :
Fuji T64 Mo IVval/
Fuji Velvia 50 DB-4S-2
Fuji Velvia 100 '-p<E"#4Z
Fuji Velvia 100F Z)Nl\e& M
Kodak E100G #G:~6^A
Kodak E100VS (y7U}Sb'
Kodak E200 Xhe2 5
Kodak E200 XP SWvy< f4<
Kodak Ektachrome 64 V/j+Z1ZW
Kodak Ektachrome 64T 0%7c?3 #
Kodak Ektar 100 J GnL[9P_
Kodak EliteChrome 160T V
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Kodak Gold 100 pP;GDW4
Kodak Gold 200 6 Daz1Pxd+
Kodak Max 800 @]" :3
Kodak Portra 100T 6 :K~w<mMJ
Kodak Portra 160 `PnB<rf:*1
Kodak Portra 400 44B)=p7
Kodak Royal Gold 400 <\|f;7/
Kodak Ultra Max 400 uli,@5%\
Kodak Ultra Max 800 {x4 0W0
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme ev7Y^
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