There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. P'GX-H
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. l~wx8
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THE FILM Z +@"
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. WaQCq0Enj
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). ?&ThMWl
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The following films are included in the Classic Lab: I|,^a |\
Agfa Optima 100 *[(O&L&0
Agfa Precisia CT 100 XP bN@V=C 3
Agfa Vista 100 &Jv j@,>$d
Agfa Vista 400 |f&)@fUI
Agfa Vista 800 f*7/O |Gp
Agfa XPS 160 z,[4 BM
CineStill 50D bWo-(
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CineStill 800T V6?ku6k
Fuji 160C &xMR{:
Fuji 160S .@Z qCH
Fuji 400h 8MGtJ'.
Fuji 800Z G0Smss=K
Fuji Astia 100 DTk)Y-eQ
Fuji Fortia SP *<#jr
Fuji Provia 100 XP Z!60n{T79c
Fuji Provia 100F P
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Fuji Provia 400X [
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Fuji Sensia 100 }x`W+r
Fuji Sensia 100 XP R_:47.qq
Fuji Superia 100 UP}Y s*
Fuji Superia 400 YA O,
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Fuji Superia 800 }:7'C. ."
Fuji Superia 1600 (p'yya{(
Fuji T64 LX'.up11X5
Fuji Velvia 50 *g]q~\b/;
Fuji Velvia 100 aG} j u;
Fuji Velvia 100F %* lOzC
Kodak E100G bv$_t)Xh
Kodak E100VS R:P'QM
Kodak E200 *x2+sgSf_0
Kodak E200 XP 1w/1 k6`0
Kodak Ektachrome 64 U0q{8 "Pl
Kodak Ektachrome 64T r5> FU>7'
Kodak Ektar 100 EFu2& P
Kodak EliteChrome 160T N_lQz(nG/2
Kodak Gold 100 S)of.Nq.;
Kodak Gold 200 R<@s]xX_
Kodak Max 800 N|Xx#/
Kodak Portra 100T O7 % <(
Kodak Portra 160 os|8/[gT
Kodak Portra 400 XYhN;U}Z
Kodak Royal Gold 400 w d2GKq!
Kodak Ultra Max 400 $As;Tvw.
Kodak Ultra Max 800 `@q[&^
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme %>Z^BM<e
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