There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. Z{s&myd
THE SCANNER HgPRz C
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. YhYcqE 8
THE FILM ^m.QW*
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. ifTMoC%
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). rVgz+'rFD[
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The following films are included in the Classic Lab: 2A7g}V
Agfa Optima 100 qq" &Bc>
Agfa Precisia CT 100 XP d0ThhO
Agfa Vista 100 7cV9xIe^
Agfa Vista 400 2?9 FF lX
Agfa Vista 800 47 >IT
Agfa XPS 160 /` 891( f,
CineStill 50D =+9.X8SP
CineStill 800T f_a.BTtNO
Fuji 160C <3C ~<
Fuji 160S @ FVan
Fuji 400h ]L#6'|W
Fuji 800Z ~CiVLS H=
Fuji Astia 100 _i{$5JJ+K2
Fuji Fortia SP _9!*laR!2
Fuji Provia 100 XP mL/]an@Y
Fuji Provia 100F " 9 ,z"k
Fuji Provia 400X ~nJcHJ1nb4
Fuji Sensia 100 Tap=K|b ]
Fuji Sensia 100 XP
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Fuji Superia 100 to{/@^ D
Fuji Superia 400 eQ _dO]Q
Fuji Superia 800 sf )ojq6s
Fuji Superia 1600 eAKK uML
Fuji T64 m8'B7|s
Fuji Velvia 50 I{Hl2?CnI,
Fuji Velvia 100 y3l3XLI*b
Fuji Velvia 100F i(P/=B
Kodak E100G RU&,z3LEb
Kodak E100VS Gh }k9-L
Kodak E200 ,0 +%ji^V
Kodak E200 XP ~wG.'d]
Kodak Ektachrome 64 M,xhQ{eBY
Kodak Ektachrome 64T !R *%F
Kodak Ektar 100 ;d$PQi
Kodak EliteChrome 160T *fyC@fI>
Kodak Gold 100 ^DVj_&~
Kodak Gold 200 7 j$ | fS
Kodak Max 800 E +\?|q !T
Kodak Portra 100T > w:+nG/r
Kodak Portra 160 Lt ; !q b.
Kodak Portra 400 c 4QegN
Kodak Royal Gold 400 d~+8ui{-U
Kodak Ultra Max 400 8m,PsUp7
Kodak Ultra Max 800 AZ'
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Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme tYV%izE
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