There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. 4C /8hsn
THE SCANNER %:o@IRTRU
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. ~,e!t.339
THE FILM
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. x= B+FIJ
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). ^ TWN_(-@
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The following films are included in the Classic Lab: b=T+#Jb
Agfa Optima 100 %FFw!e Vi
Agfa Precisia CT 100 XP H>XbqIkL@
Agfa Vista 100
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Agfa Vista 400 (&MSP
Agfa Vista 800 l3MbCBX2
Agfa XPS 160 8
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CineStill 50D X}z KV
CineStill 800T wI}'wALhA
Fuji 160C G P1>h.J
Fuji 160S \Di~DN1
Fuji 400h ^z&xy41#B
Fuji 800Z E2*"~gL^,
Fuji Astia 100 xYu~}kMu
Fuji Fortia SP Y0B*.H
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Fuji Provia 100 XP C6 "!'6 W
Fuji Provia 100F -N\{QX1 Yd
Fuji Provia 400X uWnS<O
Fuji Sensia 100 cHsJQU*K6
Fuji Sensia 100 XP h/TPd]
Fuji Superia 100 cn\& ;5 5v
Fuji Superia 400 deTbvl
Fuji Superia 800 S ,(@Q~
Fuji Superia 1600 b "FsT
Fuji T64 <uTsX v
Fuji Velvia 50 y]jh*KD[
Fuji Velvia 100 H9)uni
Fuji Velvia 100F _SP
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Kodak E100G ^LU[{HZV
Kodak E100VS #6H< JB
Kodak E200 Y|VzeJC
Kodak E200 XP 6$6NVq
Kodak Ektachrome 64 \[oHt:$do
Kodak Ektachrome 64T 93WYZNpX
Kodak Ektar 100 Ba+OoS
Kodak EliteChrome 160T `f'q /
Kodak Gold 100 c&Zm>Qo[
Kodak Gold 200 E+1j3Q;
Kodak Max 800 C(0Iv[ ~y/
Kodak Portra 100T Zj7XmkL
Kodak Portra 160 qBNiuV;*
Kodak Portra 400 ai ` :HhE
Kodak Royal Gold 400 GO)rpk9
Kodak Ultra Max 400 )(L&+DDy
Kodak Ultra Max 800 f<;9q?0V F
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme `2fuV]FW
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