There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. Z-4K?;g'k
THE SCANNER \ &eY)^vw
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. cwH,l$
THE FILM FX7Cjo#=R
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. _/8_,9H
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). ]yyU)V0Iu
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The following films are included in the Classic Lab: paq 8L{R
Agfa Optima 100 bajC-5R1k
Agfa Precisia CT 100 XP p&k 0Rx0Q3
Agfa Vista 100 'P@=/
Agfa Vista 400 U -Af7qO
Agfa Vista 800 E p^B,;~
Agfa XPS 160 Tjd&^m
CineStill 50D KcIc'G 9
CineStill 800T a6;gBoV
Fuji 160C &GXtdO>;Zv
Fuji 160S XoDJzrL#
Fuji 400h httls>:xB|
Fuji 800Z EH H|4;P6
Fuji Astia 100 ^z[_U}N\}
Fuji Fortia SP > [Xm|A#
Fuji Provia 100 XP M?E9N{t8)a
Fuji Provia 100F Bv;I0i:_
Fuji Provia 400X pd=7^"[};
Fuji Sensia 100 20
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Fuji Sensia 100 XP 2"T8^r|U
Fuji Superia 100 /- DKV~
Fuji Superia 400 L\QQjI{
Fuji Superia 800 < h'8w
Fuji Superia 1600 .LX?VD
Fuji T64 !d:tIu{)
Fuji Velvia 50 EG F:xl
Fuji Velvia 100 Tx y]"_
Fuji Velvia 100F er(8}]X8Q
Kodak E100G M.o?CX'
Kodak E100VS ~ GNyE*t/Y
Kodak E200 rDpe_varA
Kodak E200 XP @Djs[Cs<*
Kodak Ektachrome 64 -6u H.
Kodak Ektachrome 64T cj$,ob&DX
Kodak Ektar 100 $@_YdZ!
Kodak EliteChrome 160T 'jh2**i 34
Kodak Gold 100 <2n'}&F
Kodak Gold 200 5\uN Es$T
Kodak Max 800 9U!JK3d
Kodak Portra 100T *
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Kodak Portra 160 qv.[ k<~a>
Kodak Portra 400 \z2vV +f
Kodak Royal Gold 400 k%"$$uo
Kodak Ultra Max 400 E2>im>p
Kodak Ultra Max 800 t@X M /=d
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme =ft9T&ciD
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