There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. >0p$(>N]
THE SCANNER g$dsd^{O7
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. JG{j)O|L
THE FILM .z13 =yv
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. O;7)Hjw t
&uC@|dbC5
This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). ;n |^1S<[
>
iE!m
]*7Y ~dO
R |KD&!~Z
The following films are included in the Classic Lab: r J KZ)N{
Agfa Optima 100 N'xSG`,Mg
Agfa Precisia CT 100 XP PRNoqi3sY
Agfa Vista 100 ~ %B<
Agfa Vista 400 "UwH\T4I
Agfa Vista 800 i-yy/y-N
Agfa XPS 160 ?xK,mbFgl
CineStill 50D fO#vF.k%
CineStill 800T 1Bxmm#
Fuji 160C "`6n6r42
Fuji 160S V. wqZ {G
Fuji 400h j5@:a
Fuji 800Z m7T) m0
Fuji Astia 100 pLv$\ MiZ
Fuji Fortia SP a<]B B$~
Fuji Provia 100 XP pRSOYTebP
Fuji Provia 100F AyMd:5;
Fuji Provia 400X $=?@*p
Fuji Sensia 100 (k np#
Fuji Sensia 100 XP +l=r#JF
Fuji Superia 100 C"IK t
Fuji Superia 400 tH'2gl
Fuji Superia 800 dL|+d: v
Fuji Superia 1600 )}9rwZ
Fuji T64 ^&g=u5
d0
Fuji Velvia 50 r,_?F7
Fuji Velvia 100 # p[',$cC
Fuji Velvia 100F y\{%\ $
Kodak E100G \@&_>us
Kodak E100VS MQin"\
Kodak E200 %e& 9.
Kodak E200 XP ? `J[[",
Kodak Ektachrome 64 %v2R.?F8
Kodak Ektachrome 64T %kgkXc~6|x
Kodak Ektar 100 Z4IgBn(Z_}
Kodak EliteChrome 160T H4]Ul
eU
Kodak Gold 100 %/updw#{B
Kodak Gold 200 <V>dM 4Mkr
Kodak Max 800 [5Lz/ix=
Kodak Portra 100T l3 DYg
Kodak Portra 160 "kZ[N'z (
Kodak Portra 400 7t.!lh5G%
Kodak Royal Gold 400 iX3HtIBj'
Kodak Ultra Max 400 ZoArQ(YFy
Kodak Ultra Max 800 ws^4?O
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme sUPz/Z.h
i*CZV|t US
