There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. .gd'<l
THE SCANNER N9cUlrDO
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. O)G^VD s
THE FILM U+g<lgH1J
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. kam\dn04
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). T8a!"lPP7
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The following films are included in the Classic Lab: WhR'MkfL
Agfa Optima 100 yy|F6Pq3`
Agfa Precisia CT 100 XP u<
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Agfa Vista 100 X !l#1
Agfa Vista 400 -j"2rIl4#
Agfa Vista 800 l&v&a!EU
Agfa XPS 160 T13Jn o
CineStill 50D h-[FUPfuw
CineStill 800T 0"$'1g^]7
Fuji 160C PQ[x A*
Fuji 160S w\ 7aAf3O
Fuji 400h KR/SMwy
Fuji 800Z
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Fuji Astia 100 e5fzV.' 5
Fuji Fortia SP z c,Q
Fuji Provia 100 XP STgYXA(
Fuji Provia 100F XRR`GBI
Fuji Provia 400X \~'+TW
Fuji Sensia 100 i fbO<
Fuji Sensia 100 XP -m>ng
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Fuji Superia 100 SiSxym
Fuji Superia 400 viR-h
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Fuji Superia 800 w97B)Kn6
Fuji Superia 1600 a,*~wmg
Fuji T64 %q
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Fuji Velvia 50 J2~oIe2!+
Fuji Velvia 100 $qj||zA
Fuji Velvia 100F 4vRIJ}nQ
Kodak E100G j#E&u*IR
Kodak E100VS Ie8jBf -
Kodak E200 '; Z!(r
Kodak E200 XP Kzgnhgc
Kodak Ektachrome 64 ZtqN8$[6n
Kodak Ektachrome 64T ^{Y9!R*9U*
Kodak Ektar 100 "+:IA|1wD
Kodak EliteChrome 160T B>W!RyH8o
Kodak Gold 100 6,;7iA]
Kodak Gold 200 w"K;e (S
Kodak Max 800 %{M&"M v
Kodak Portra 100T ]pP [0S
Kodak Portra 160 l@ W?qw
Kodak Portra 400 SV96eYT<
Kodak Royal Gold 400 vS'5Lm
Kodak Ultra Max 400 tB7g.)yZb
Kodak Ultra Max 800 VCUEzR0
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme AVbGJ+
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