There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. $;$vcV9*
THE SCANNER *" Iz)Xzc`
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. D
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THE FILM (~bx %
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. _<F; &(o
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). x)N QRd
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The following films are included in the Classic Lab: GL-b})yy
Agfa Optima 100 ,uNJz -B8
Agfa Precisia CT 100 XP Sp?e!`|8
Agfa Vista 100 rH,@"( p\
Agfa Vista 400 =v Q J2Rg
Agfa Vista 800 }kItVx
Agfa XPS 160 T %FW |jKw
CineStill 50D oclU )f.,
CineStill 800T {_L l'S
Fuji 160C X<$D NRN
Fuji 160S -F*vN'
Fuji 400h ,~1sZ`C
Fuji 800Z D@ .qdRc3
Fuji Astia 100 4{vEW(
Fuji Fortia SP F#) bGi
Fuji Provia 100 XP |*b- m k
Fuji Provia 100F E`@Z9k1 `
Fuji Provia 400X X jP;O,x
Fuji Sensia 100 G3 ]#D u
Fuji Sensia 100 XP Jd v;+HN[
Fuji Superia 100 b$D h|-8
Fuji Superia 400 %K=_
Fuji Superia 800 KZ#\ >
Fuji Superia 1600 =O8>[u;
Fuji T64 b5Q>e%i#
Fuji Velvia 50 k.c.7%|~;
Fuji Velvia 100 WcM\4q@
Fuji Velvia 100F H[ OgnnM
Kodak E100G E,K>V:P*
Kodak E100VS Y6)o7t
Kodak E200 i'>5vU0?3
Kodak E200 XP ]e7?l/N[
Kodak Ektachrome 64 dkDPze9l
Kodak Ektachrome 64T 1iLU{m 9
Kodak Ektar 100 j!%^6Io4
Kodak EliteChrome 160T nSBhz
Kodak Gold 100 )u=W?5%=}
Kodak Gold 200 R?9x!@B V
Kodak Max 800 i`+bSg
Kodak Portra 100T A r,n=obG
Kodak Portra 160 7m]J7 +4
Kodak Portra 400 Suo$wZ7J
Kodak Royal Gold 400 E'U x2sh
Kodak Ultra Max 400 dVHbIx
Kodak Ultra Max 800 ?Y S 3)
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme >}O}~ $o
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