There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. (i%bQZt^?
THE SCANNER Lr:n
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. ^SG>VfgC
THE FILM "% D"h
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. 96~y\X@x
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). gdTW
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The following films are included in the Classic Lab: 8j70X <R
Agfa Optima 100 NO[A00m|OL
Agfa Precisia CT 100 XP `dV2\^*A
Agfa Vista 100 ~8nR3ki
Agfa Vista 400 ~ %=%5 }
Agfa Vista 800 _|12BVq
Agfa XPS 160 tkHmH/'7
CineStill 50D B2]52Fg-"
CineStill 800T hO$Gx*e$
Fuji 160C zCo$YP#5_
Fuji 160S bLG7{qp
Fuji 400h ])F+ C/Px1
Fuji 800Z B7'#8heDh
Fuji Astia 100 $}tF66d
Fuji Fortia SP kEC^_sO"
Fuji Provia 100 XP V~ KWy@7
Fuji Provia 100F KZ[TW,Gw
Fuji Provia 400X |s/N ?/qi
Fuji Sensia 100 Nkj$6(N=zJ
Fuji Sensia 100 XP U"8Hw@
Fuji Superia 100 #2 %V
Fuji Superia 400 W|fE]RY
Fuji Superia 800 h.#:7d(g
Fuji Superia 1600 Cn 5"zDK$
Fuji T64 ;E
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Fuji Velvia 50 HoAg8siQ
Fuji Velvia 100 RRS)7fFm
Fuji Velvia 100F D`^wj FF
Kodak E100G I ]o|mjvs
Kodak E100VS Q ]TZyk
Kodak E200 tK UW
Kodak E200 XP | 8mWR=9fs
Kodak Ektachrome 64 akr2Os
Kodak Ektachrome 64T G?Gf,{#K
Kodak Ektar 100 +8Q @R)3
Kodak EliteChrome 160T Nm&'&L%Ch
Kodak Gold 100 *cWHl@4
Kodak Gold 200 #$S~QS.g
Kodak Max 800 4_V gJ9@
Kodak Portra 100T `=h CS0F
Kodak Portra 160 _ s}aF
Kodak Portra 400 vS~tr sI
Kodak Royal Gold 400 Tf5m
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Kodak Ultra Max 400 f:\)!
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Kodak Ultra Max 800 DjK7_'7(L
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme wX2U
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