There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. ybcCq]cgt
THE SCANNER , _bG'Hmt
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. >&JS-j Fg
THE FILM #<5i/5&
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. =&mdxKoT0
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). Dc3bG@K*G
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The following films are included in the Classic Lab: ; m"R.Q9*
Agfa Optima 100 7-}/{o*,5
Agfa Precisia CT 100 XP o;v_vCLO
Agfa Vista 100 '/fueku
Agfa Vista 400 }0 Fu
Agfa Vista 800 #;\tgUQ
Agfa XPS 160 Q SvgbjdE
CineStill 50D ([NS%
CineStill 800T 0BN=>]V~j7
Fuji 160C eMjW^-RgE5
Fuji 160S ~"cqFdnO
Fuji 400h B7n 1'?
Fuji 800Z Lw6}b B`}
Fuji Astia 100 8I b 5
Fuji Fortia SP }q)dXFL=I#
Fuji Provia 100 XP W3xObt3w\
Fuji Provia 100F 85{@&T
Fuji Provia 400X i+|/V& #3[
Fuji Sensia 100 3JZ9 G79H
Fuji Sensia 100 XP 4EJ6Zy![0*
Fuji Superia 100 \O\veB8
Fuji Superia 400 ~Dj_N$_+9
Fuji Superia 800 Q Kh vP>
Fuji Superia 1600
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Fuji T64 `o%Ua0x2
Fuji Velvia 50 }^PdW3O*m,
Fuji Velvia 100 9 j1
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Fuji Velvia 100F t.] e8=dE
Kodak E100G (y?`|=G-xT
Kodak E100VS cK t8e^P
Kodak E200 Zv8G[(
Kodak E200 XP 8'0KHn{#
Kodak Ektachrome 64 `7_s@4:
Kodak Ektachrome 64T F"a31`L>H
Kodak Ektar 100 \B n$b2j!%
Kodak EliteChrome 160T ?r R,
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Kodak Gold 100 XtIY8wsP
Kodak Gold 200 6S?*z
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Kodak Max 800 IJ6&*t
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Kodak Portra 100T $u{ 8wF/)
Kodak Portra 160 I z)~h>-F
Kodak Portra 400 }#E~XlX ^
Kodak Royal Gold 400 ig?Tj4kD
Kodak Ultra Max 400 T0BM:ofx
Kodak Ultra Max 800 M!iYj+nrP
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme 88+J(^y>
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