There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. p L . 0_
THE SCANNER S0tkqA4
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. 0g;)je2_2?
THE FILM A&A{Thz
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. ~)VI` 36X
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). yJ="dEn>i"
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The following films are included in the Classic Lab: tAPf#7{|
Agfa Optima 100 m @ UrFPZ
Agfa Precisia CT 100 XP phQ{<wzwp
Agfa Vista 100 "}Ikx tee
Agfa Vista 400 G^';9 UK
Agfa Vista 800 1Ko4O)L]&
Agfa XPS 160 ExM VGe
CineStill 50D J0imWluhQ
CineStill 800T ia (&$a8X
Fuji 160C hV +=hX<h
Fuji 160S R 9(Yi<CC
Fuji 400h ?E<9H/
Fuji 800Z 1IlOU|4
Fuji Astia 100 e<qfM&*
Fuji Fortia SP MxH |yo[
Fuji Provia 100 XP ]57yorc`
Fuji Provia 100F M!D6i5k,
Fuji Provia 400X 0cDP:EzR;
Fuji Sensia 100 >=:^N- a
Fuji Sensia 100 XP {
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Fuji Superia 100 i{16&4 '
Fuji Superia 400 d0i| ^
Fuji Superia 800 }KO <II
Fuji Superia 1600 T2n3g|4
Fuji T64 _ds;:*N+qA
Fuji Velvia 50 i5=~tS
Fuji Velvia 100 a`[9<AM1#
Fuji Velvia 100F "%b Gw v
Kodak E100G UZs'H"K
Kodak E100VS 1rS8+!9C
Kodak E200 ^^lx Ot
Kodak E200 XP D &@Iuo
Kodak Ektachrome 64 LJom+PxF$x
Kodak Ektachrome 64T M ziOpra j
Kodak Ektar 100 ` Z/ MQ
Kodak EliteChrome 160T Uu52uR
Kodak Gold 100 /::Y &&$f
Kodak Gold 200 Y;'SD{On
Kodak Max 800 >_\[C?8
Kodak Portra 100T hzU(XW
Kodak Portra 160 &8Z .m,s]
Kodak Portra 400 'c_K[p$
Kodak Royal Gold 400 BOh^oQh
Kodak Ultra Max 400 Rt:^'Qi$!
Kodak Ultra Max 800 ]1pB7XL
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme 0yv p>{;p
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