There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. kyjH~mK4
THE SCANNER xg^fM @#m
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. PR'FSTg
THE FILM
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. <Z__Q
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). uLCU3nI
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The following films are included in the Classic Lab: ^KaMi_--
Agfa Optima 100 UA9LI<Y
Agfa Precisia CT 100 XP M[{Cy[ta
Agfa Vista 100 MMAC,4
Agfa Vista 400 t<k8 .9
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Agfa Vista 800 |{ [i
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Agfa XPS 160 @T prS d
CineStill 50D !K 9(OX2;
CineStill 800T Q|1bF!#(1
Fuji 160C Jzdc'3dq
Fuji 160S 9F+bWo_m
Fuji 400h {S}@P~H =
Fuji 800Z /iN \)y#u1
Fuji Astia 100 1CM1u+<iZ
Fuji Fortia SP .UYpPuAkn
Fuji Provia 100 XP ye%F <:O 7
Fuji Provia 100F ?qbp
Fuji Provia 400X </=PN1=A
Fuji Sensia 100 BJE <~"
Fuji Sensia 100 XP H<xC%/8
Fuji Superia 100 %OtW\T=u
Fuji Superia 400 IYO,/ kbf
Fuji Superia 800 m# ie{u^
Fuji Superia 1600 L%0lX$2&\
Fuji T64 :kVV.a# g
Fuji Velvia 50 <S}qcjG
Fuji Velvia 100 Ih7Eq/iu
Fuji Velvia 100F 1A)~Y
Kodak E100G )q^vitkjup
Kodak E100VS 5oKc=i X_3
Kodak E200 {_~G+rqY
Kodak E200 XP @Y,F&8a$
Kodak Ektachrome 64 +o3g]0
Kodak Ektachrome 64T [o.zar82
Kodak Ektar 100 Ueeay^zN
Kodak EliteChrome 160T J50 ~B3bj`
Kodak Gold 100 _+N^yw ,r*
Kodak Gold 200 qck/ b
Kodak Max 800 oB\Xl)A<
Kodak Portra 100T u J` &hX
Kodak Portra 160 2T5xSpC
Kodak Portra 400 RI (uG-Y
Kodak Royal Gold 400 KR}0(,Y
Kodak Ultra Max 400 &rl>{Uvq
Kodak Ultra Max 800 [:QMnJ
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme )|{{}w~`
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