There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. [&99# 7B
THE SCANNER * .n Sv @F
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. aWTurnee^
THE FILM
ZJs~,Q
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. +g?uvXC&
`:3nF'
This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). ?X|q
<1 I4JPh>x
A!!!7t j
.\$A7DD+A
The following films are included in the Classic Lab: hev;M)t
Agfa Optima 100 $rW(*#C
Agfa Precisia CT 100 XP !~C%0{9+u@
Agfa Vista 100 hA 5p'a+K
Agfa Vista 400 5?H8?~&dz
Agfa Vista 800 }6 a}8EyFP
Agfa XPS 160 k vZ w4Pk
CineStill 50D "v?F4&\ 8
CineStill 800T o7E |wS
Fuji 160C n32"cFPpT
Fuji 160S DQ+6VPc^o
Fuji 400h LI.WcI3uS
Fuji 800Z ShC$ue?Q
Fuji Astia 100 u4FD}nV
Fuji Fortia SP !o`7$`%Wz\
Fuji Provia 100 XP (mP{A(kwJ
Fuji Provia 100F \ejHM}w3,
Fuji Provia 400X J(}PvkA
Fuji Sensia 100 BJ5MCb.w
Fuji Sensia 100 XP A^).i_&#
Fuji Superia 100 V.
i{IW
Fuji Superia 400 :8O T
Fuji Superia 800 v *Gd=\88
Fuji Superia 1600 {K+f& 75
Fuji T64 E'4Psx9: =
Fuji Velvia 50 cy@R i#
Fuji Velvia 100 b|.Cqsb
Fuji Velvia 100F [(Z(8{3 i
Kodak E100G tx
d0S!
Kodak E100VS =_BHpgL
Kodak E200 HUjX[w8
Kodak E200 XP 39O rY
Kodak Ektachrome 64 j17h_ a;
Kodak Ektachrome 64T vW e g1
Kodak Ektar 100 I\_2=mL
Kodak EliteChrome 160T _Vp"G)1Y
Kodak Gold 100 [ S
Kodak Gold 200 1A'eH:$
Kodak Max 800 TO G4=y-N
Kodak Portra 100T 4r4 #u'Om
Kodak Portra 160 giu{,gS0?M
Kodak Portra 400 E`_T_O=P
Kodak Royal Gold 400 f@YdL6&d-
Kodak Ultra Max 400 !0lk}Uzkh
Kodak Ultra Max 800 P ` @Rt
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme bu6Sp3g
`PAQv+EYz
