There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. #L5H-6nz
THE SCANNER 6gV-u~j [#
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. 2apR7
THE FILM ms8de>A|H
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. yEyx.Mh.Af
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). QNn\ wz_)
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The following films are included in the Classic Lab: XQ]no aU
Agfa Optima 100 #4iSQ$0
Agfa Precisia CT 100 XP .dX ^3
Agfa Vista 100 0(A`Ia
Agfa Vista 400 }Tf ~)x
Agfa Vista 800 OAO|HH
Agfa XPS 160 -/rP0h5#
CineStill 50D , f{<
CineStill 800T kx0(v1y3gT
Fuji 160C P_6oMR
Fuji 160S ;rZR9fR
Fuji 400h 68JYA?
Fuji 800Z ~kPHf_B;z
Fuji Astia 100 ,%7>%*nhk
Fuji Fortia SP Lg Xc}3
Fuji Provia 100 XP ;+]
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Fuji Provia 100F ~``oKiPg@
Fuji Provia 400X =V~p QbZ
Fuji Sensia 100 *Z\B9mx
Fuji Sensia 100 XP Ws ya:9|
Fuji Superia 100 ,Bax0p
Fuji Superia 400 F
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Fuji Superia 800 c hk1tFV
Fuji Superia 1600 =]jc{Y%o
Fuji T64 H <41H;m
Fuji Velvia 50 (~ro_WC/I
Fuji Velvia 100 UngDXD )
Fuji Velvia 100F ,]RMa\Q4Wg
Kodak E100G x9Um4!/t
Kodak E100VS }-Q FMPXhG
Kodak E200 Z6C!-a
Kodak E200 XP 1"tyxAo\
Kodak Ektachrome 64 6D3hX>K4
Kodak Ektachrome 64T t4(Z@X$
Kodak Ektar 100 TLbnG$V QS
Kodak EliteChrome 160T D*.U?
Kodak Gold 100 k?]`PUrV
Kodak Gold 200 MJ "ug8 N
Kodak Max 800 BUB$k7 {z
Kodak Portra 100T A hl-EVIr<
Kodak Portra 160 "IQ' (^-P
Kodak Portra 400 bQd'ob jpY
Kodak Royal Gold 400 dC+WII`V
Kodak Ultra Max 400 hZ@frbuowk
Kodak Ultra Max 800 EQ< qN<uW
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme ramYSX@
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