There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. :B=`^>RK
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. !+fHdB
THE FILM 70KXBu<6
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. MgtyO3GUAD
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). v 8pUt\m"
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The following films are included in the Classic Lab: c+4SG WmO
Agfa Optima 100 aG=Y 6j
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Agfa Precisia CT 100 XP q{ctHs Q(9
Agfa Vista 100 4]
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Agfa Vista 400 %
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Agfa Vista 800 %o{vD&7\
Agfa XPS 160 {nHy!{+qqG
CineStill 50D 2d1'!B
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CineStill 800T "Ny_ RF
Fuji 160C n\cP17dr
Fuji 160S &+sO"j4<?r
Fuji 400h dYr#
Fuji 800Z W%1fm/ G0
Fuji Astia 100 `yC
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Fuji Fortia SP Ho"FB|e
Fuji Provia 100 XP u)Y#&q A
Fuji Provia 100F 7r}gS2d
Fuji Provia 400X Q g"{F},4
Fuji Sensia 100 -,5g cD
Fuji Sensia 100 XP KrbNo$0%
Fuji Superia 100 *]Vx=7 D
Fuji Superia 400 r xDule3m
Fuji Superia 800 Y1
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Fuji Superia 1600 =M(\ R8
Fuji T64 C2Y&q X,
Fuji Velvia 50 d3n T J X
Fuji Velvia 100 %8 4<@f&n]
Fuji Velvia 100F +9h6{&yr1
Kodak E100G A #jiCIc
Kodak E100VS q2/Vt0aYx
Kodak E200 ;W+.]_$6)T
Kodak E200 XP )Ba^Igb}
Kodak Ektachrome 64 <F=j6U7
Kodak Ektachrome 64T C($`'~b
Kodak Ektar 100 DI$z yj~3
Kodak EliteChrome 160T K7_)!=DcX
Kodak Gold 100 9:=a FP
Kodak Gold 200 T>?sPq
Kodak Max 800 4AF " +L
Kodak Portra 100T }.T$bj1B;V
Kodak Portra 160 J v)] 7u
Kodak Portra 400 _fa]2I
Kodak Royal Gold 400 ~i
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Kodak Ultra Max 400 >StvP=our
Kodak Ultra Max 800 m9PcD hv
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme ;'<K}h
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