There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. 2*: q$ c
THE SCANNER FZHA19Kb
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. !jj`Ht)
THE FILM N,(!
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. _ \D %
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). /I%z 7f91O
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The following films are included in the Classic Lab: HlGSt$woX
Agfa Optima 100 \9?[|m
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Agfa Precisia CT 100 XP -o ).<&#
Agfa Vista 100 =Hi@q
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Agfa Vista 400 XiW1X6
Agfa Vista 800 .GrOdDK$ns
Agfa XPS 160 KdVKvs[
CineStill 50D 7~7L5PRW
CineStill 800T vF72#BNs
Fuji 160C XNz+a|cF
Fuji 160S @>2 pY_
Fuji 400h [YDSS/
Fuji 800Z kaBjA*
Fuji Astia 100 -#v~;Ci
Fuji Fortia SP ] ,|,/~
Fuji Provia 100 XP ( S[z
Fuji Provia 100F gmGK3am
Fuji Provia 400X '}. Y f_
Fuji Sensia 100 Xg)8}
Fuji Sensia 100 XP fkV@3sj
Fuji Superia 100 ' )m!48
Fuji Superia 400 2\xw2VQ@P
Fuji Superia 800 ]E`<8hRB
Fuji Superia 1600 86ao{l6l C
Fuji T64 @*6fEG{,q
Fuji Velvia 50 =nEP :7~{
Fuji Velvia 100 7N$2N!I(
Fuji Velvia 100F wI%M3XaBws
Kodak E100G c!6D{(sfh
Kodak E100VS S=UuEmU5N
Kodak E200 eADCT
Kodak E200 XP &uq.k{<p\
Kodak Ektachrome 64 RTOA'| [0M
Kodak Ektachrome 64T <:S qMf
Kodak Ektar 100 @Cj!MZ=T
Kodak EliteChrome 160T m:H^m/g
Kodak Gold 100 F? # 3
Kodak Gold 200 v3-/ [-XB:
Kodak Max 800 '/d51
Kodak Portra 100T yM_/_V|G
Kodak Portra 160 2dn ^K3
Kodak Portra 400 R<|\Z@z
Kodak Royal Gold 400 SDnl^a
Kodak Ultra Max 400 :/5m
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Kodak Ultra Max 800 pjeNBSu6
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme F y+NJSG
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