There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. },+wJ 1
THE SCANNER *!s; "U
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. l*\y
THE FILM aI^/X {d
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. nw>8GivO
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). U4aU}1RKz
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The following films are included in the Classic Lab: 8_<4-<}P:
Agfa Optima 100 +LM#n #T
Agfa Precisia CT 100 XP hd),&qoW?
Agfa Vista 100 u! "t!2I
Agfa Vista 400 n!p<A .O7@
Agfa Vista 800 8>,jpAN}r
Agfa XPS 160 S"w R%\NIp
CineStill 50D 3RLF p\i"s
CineStill 800T
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Fuji 160C pn.wud}R
Fuji 160S
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Fuji 400h +gtrt^:]l
Fuji 800Z V=:'SL*3|
Fuji Astia 100 QUU;g 2k
Fuji Fortia SP e/0<[s*#Q
Fuji Provia 100 XP =jB08 A
Fuji Provia 100F \b%kf9 9
Fuji Provia 400X vnWWneeNr
Fuji Sensia 100 Og,$ sH}`
Fuji Sensia 100 XP J5^'HU3
Fuji Superia 100 Ty vtm x M
Fuji Superia 400 `c<;DhNO
Fuji Superia 800 yE}}c{hSn
Fuji Superia 1600 *h}XWB C1q
Fuji T64 \" X! 2
Fuji Velvia 50 E_vq
Fuji Velvia 100 1P~X8=9h
Fuji Velvia 100F >-H {Z{VDd
Kodak E100G MyT q
Kodak E100VS 0NS<?p~_S
Kodak E200 j#cYS*^H
Kodak E200 XP xlhG,bb7
Kodak Ektachrome 64 9 FB19
Kodak Ektachrome 64T =EHUR'
Kodak Ektar 100 o4|M0
Kodak EliteChrome 160T E[/\7 v\
Kodak Gold 100 {phNds%
Kodak Gold 200 XUz3*rfs
Kodak Max 800 O^oWG&Y;v
Kodak Portra 100T 8_{X1b j
Kodak Portra 160 ~`aa5;Ab_
Kodak Portra 400 0 u;4%}pD
Kodak Royal Gold 400 |Y ?H A&
Kodak Ultra Max 400 Vh_P/C+
Kodak Ultra Max 800 .&DhN#EN0
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme 9I}-[|`u
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