There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. `(uN_zvH
THE SCANNER N(J'h$E
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. 6w `.'5
THE FILM kxCN0e#_
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. : @4+ }
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). oL
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The following films are included in the Classic Lab: i~"lcgoO
Agfa Optima 100 U!
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Agfa Precisia CT 100 XP Z'~/=a)7
Agfa Vista 100 U<|*V5
Agfa Vista 400 J?Bj=b
Agfa Vista 800 1lYQR`Uh
Agfa XPS 160 ~KYA{^`*
CineStill 50D IOddu2.(
CineStill 800T uCHM
Fuji 160C uCx6/ n6'
Fuji 160S gq ~K(Q<O<
Fuji 400h "_0sW3rG
Fuji 800Z zI= 9
Fuji Astia 100 'YB{W8bR
Fuji Fortia SP >H5 _,A}f
Fuji Provia 100 XP %RX!Pi}5+g
Fuji Provia 100F /$d #9Uv
Fuji Provia 400X PDpuHHB
Fuji Sensia 100 T@xaa\bzg
Fuji Sensia 100 XP Nd
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Fuji Superia 100 d(YAH@
Fuji Superia 400 kq*IC&y
Fuji Superia 800 ~^/BAc
Fuji Superia 1600 6!@p$ pm)a
Fuji T64 .U#o N_D
Fuji Velvia 50 Z|B`n
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Fuji Velvia 100 G0u
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Fuji Velvia 100F *P\OP'o_
Kodak E100G q*<FfO=eQ
Kodak E100VS T"DG$R,Aj
Kodak E200 0DaKd<Scv
Kodak E200 XP gb=tc`
Kodak Ektachrome 64 /Yj; '\3
Kodak Ektachrome 64T CG
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Kodak Ektar 100 K wY6pF*
Kodak EliteChrome 160T XnKf<|j6k
Kodak Gold 100 vt#&YXu{A
Kodak Gold 200 O[8wF86R
Kodak Max 800 &,QBJx<#
Kodak Portra 100T 06 an(& a9
Kodak Portra 160 W[LQ $uj
Kodak Portra 400 \I7&F82e
Kodak Royal Gold 400 ^7Ebg5<
Kodak Ultra Max 400 V#+M lN
Kodak Ultra Max 800 _D{{C
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme S;" $02]
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