There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. i: 1V\q%
THE SCANNER V0"UFy?i
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. p5E|0 p
THE FILM !x[ +rf
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. Y*J,9
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). {=pf#E=
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The following films are included in the Classic Lab: 8
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Agfa Optima 100 c SQvP.
Agfa Precisia CT 100 XP flnoK%wi
Agfa Vista 100 I@e{>}
Agfa Vista 400 d.sxB}_O
Agfa Vista 800 yPKeat H]
Agfa XPS 160 1jO/"d.8n
CineStill 50D )~s(7
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CineStill 800T Jv a&"}Cb
Fuji 160C [Cvo^cC
Fuji 160S q8`JRmt)H
Fuji 400h 0Kq\ oMn
Fuji 800Z &*r YY\I
Fuji Astia 100 [T.kwQf4$
Fuji Fortia SP }3ty2D#/:
Fuji Provia 100 XP c[f
Fuji Provia 100F 58{6k J@
Fuji Provia 400X \f05(l d
Fuji Sensia 100 )FYz*:f>&
Fuji Sensia 100 XP UJ2T j+
Fuji Superia 100 Od)]FvO
Fuji Superia 400 t /1KKEZM
Fuji Superia 800 zq8LQ4@ay
Fuji Superia 1600 ^dld\t:tV7
Fuji T64 4 cl}ouG
Fuji Velvia 50 * ix&"|h
Fuji Velvia 100 }qRYXjS
Fuji Velvia 100F ,a_\o&V
Kodak E100G 6l<q
Kodak E100VS fU8 &fo%ER
Kodak E200 d?.ewsC
Kodak E200 XP FlttqQQdf
Kodak Ektachrome 64 7jvf:#\LtL
Kodak Ektachrome 64T y>UM~E
Kodak Ektar 100 8N' [ )Jw
Kodak EliteChrome 160T }PUQvIGZZ&
Kodak Gold 100 C5$1K'X@
Kodak Gold 200 !D!Q]M5oU
Kodak Max 800 P_
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Kodak Portra 100T ^g"G1,[%w
Kodak Portra 160 I5
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Kodak Portra 400 M 1-n
Kodak Royal Gold 400 XnV*MWv
Kodak Ultra Max 400 $b
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Kodak Ultra Max 800
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Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme aTxss:7]
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