There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. [n/ c7Pe
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. :F"IOPfU5[
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. t|oIzjKE/
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). p+?`ru
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The following films are included in the Classic Lab: &8i$`6wY
Agfa Optima 100 a_+3, fP
Agfa Precisia CT 100 XP 4"eFR' g
Agfa Vista 100 X(E`cH
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Agfa Vista 400 IfB .2e`
Agfa Vista 800 Xe&9| M
Agfa XPS 160 Xa>'DO2
CineStill 50D c0e[vrP:
CineStill 800T j<!dpt
Fuji 160C g "'BsoJ
Fuji 160S xPm{'J+b~
Fuji 400h ) P9]/y
Fuji 800Z TtrO _D
Fuji Astia 100 /8]K}yvR
Fuji Fortia SP ?QK D YH(
Fuji Provia 100 XP ehB '@_y
Fuji Provia 100F 4KxuSI^q
Fuji Provia 400X T.z efoZ
Fuji Sensia 100 dKEy6C"@
Fuji Sensia 100 XP j<
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Fuji Superia 100 $'>iNMtK{p
Fuji Superia 400 ua=7YG
Fuji Superia 800 >3b<
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Fuji Superia 1600 I&i6-xp
Fuji T64 ;TDvk ]:
Fuji Velvia 50 Kp7)my
Fuji Velvia 100 ,f)+| ?wz
Fuji Velvia 100F ?1r;6
Kodak E100G ex~"M&^
Kodak E100VS &X~8S/nPAw
Kodak E200 /YPG_,lRA
Kodak E200 XP b-VQn5W
Kodak Ektachrome 64 8MDivr/@
Kodak Ektachrome 64T 1Z_w2D*
Kodak Ektar 100 F
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Kodak EliteChrome 160T 5ad@}7&
Kodak Gold 100 l{3zlXk3z
Kodak Gold 200 D U ,B
Kodak Max 800 )R<93 `q
Kodak Portra 100T Cz 5U
Kodak Portra 160 gI RZ kT`
Kodak Portra 400 nt&%
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Kodak Royal Gold 400 K ~-V([tWg
Kodak Ultra Max 400 qh}+b^Wi
Kodak Ultra Max 800 &
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Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme O+'k4
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