There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. S2
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THE SCANNER .-KtB(t
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. "7 yNKO;W
THE FILM [l':G ]
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. `e $n$Bh
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). '{0[&i*
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The following films are included in the Classic Lab: *m$ PH"
Agfa Optima 100 )W1(tEq59
Agfa Precisia CT 100 XP sCF40AoY&
Agfa Vista 100 mGe|8In
Agfa Vista 400 :/v,r=Y9 p
Agfa Vista 800 ```d:f
Agfa XPS 160 . B'UQ|NR
CineStill 50D )W`SC mr]
CineStill 800T nJl eef9
Fuji 160C V@v1a@=W
Fuji 160S e`Co,>W/
Fuji 400h Oz &+{ c
Fuji 800Z w!WRa8 C
Fuji Astia 100 /}w#Jk4pD
Fuji Fortia SP =9pw uH
Fuji Provia 100 XP ;NH~9# t:
Fuji Provia 100F ^Ue0mC7m
Fuji Provia 400X T3Frc ]6,4
Fuji Sensia 100 cGE=.
Fuji Sensia 100 XP L\ }Pzxn
Fuji Superia 100 \T`[ "<
Fuji Superia 400 }3f
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Fuji Superia 800 Re*| $r#
Fuji Superia 1600 g@@&sB-A"
Fuji T64 `l>93A
Fuji Velvia 50 T~%H%O(F
Fuji Velvia 100 8M^wuRn
Fuji Velvia 100F .!(,$ '(@=
Kodak E100G ?C
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Kodak E100VS q]6_ rY.
Kodak E200 $s- 9|Lbs`
Kodak E200 XP Y5ogi )
Kodak Ektachrome 64 J]}FC{CD!
Kodak Ektachrome 64T 4l&"]9 D
Kodak Ektar 100 JBR[;
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Kodak EliteChrome 160T IS[Vap:
Kodak Gold 100 OE'K5oIM
Kodak Gold 200 Q !9HA[Ly
Kodak Max 800 *O@sh
Kodak Portra 100T %5JW< 9
Kodak Portra 160 ,AH0* L
Kodak Portra 400 2wx!Lpr<i_
Kodak Royal Gold 400 T&r +G!2
Kodak Ultra Max 400 .3VK;au\\
Kodak Ultra Max 800 FXx.$ W
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme hCzjC|EO~
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