There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. K&-u W _0
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. RH$YM
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. p< FqK/
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). a:1$i dj
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The following films are included in the Classic Lab: \r3SvBwhFv
Agfa Optima 100 =66'33l2
Agfa Precisia CT 100 XP "5\6`\/
Agfa Vista 100 YYe=E,q
Agfa Vista 400 [BEQ ~A_I
Agfa Vista 800 dI%N wl%
Agfa XPS 160 %T}*DC$&S
CineStill 50D _]0<G8|Rv
CineStill 800T 2f rwU~y
Fuji 160C 1V,DcolRY
Fuji 160S =W gzj|Kr
Fuji 400h 2LCOB&-Ww
Fuji 800Z z6Nz)$!_i
Fuji Astia 100 .W\x{h
Fuji Fortia SP Dh68=F0
Fuji Provia 100 XP
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Fuji Provia 100F ]#'& x%m
Fuji Provia 400X r\ C"Fx^
Fuji Sensia 100 A ^\g]rmK
Fuji Sensia 100 XP JI &.d:
Fuji Superia 100 n 3\~H9
Fuji Superia 400 VMu?mqEa
Fuji Superia 800 zXId up@
Fuji Superia 1600 X#fjIrn
Fuji T64 5YgT*}L+,
Fuji Velvia 50 D]WrPWL8v
Fuji Velvia 100 7T(&DOGZ
Fuji Velvia 100F J(9{P/
Kodak E100G K[Vj+qdyl
Kodak E100VS >H,E3Z
Kodak E200 ZsP>CELm@
Kodak E200 XP LMLrH.
Kodak Ektachrome 64 P!XO8X 1F
Kodak Ektachrome 64T d@ ] N
Kodak Ektar 100 D8WKy
Kodak EliteChrome 160T n.G.f bO
Kodak Gold 100 \0FwxsL
Kodak Gold 200 R.YUUXT
Kodak Max 800 MieO1l
Kodak Portra 100T m;ju@5X
Kodak Portra 160 D"IxQ2}k
Kodak Portra 400 PlwM3 lrj
Kodak Royal Gold 400 0y2zjXM;3
Kodak Ultra Max 400 I [n|#N
Kodak Ultra Max 800 ONF x -U]
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme equi26jhr
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