There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. /n _HUY
THE SCANNER vMI \$E &
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. [}AcCXg`L
THE FILM 3?}SXmA'@
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. '",5Bu#C
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). r-V./M@L
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The following films are included in the Classic Lab: kdo)y(fn@
Agfa Optima 100 %Mu dc
Agfa Precisia CT 100 XP WMC6 dD_6e
Agfa Vista 100 0+H"$2/
Agfa Vista 400 4i19HD_
Agfa Vista 800 -FPl",f=r
Agfa XPS 160 ,#m\ W8j
CineStill 50D 7vWB=r>5@
CineStill 800T JL$RBr
Fuji 160C D6m>>&E['
Fuji 160S JEd/j
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Fuji 400h u@ |yw)
Fuji 800Z %q!nTG U~
Fuji Astia 100 bBQp:P? E
Fuji Fortia SP T UUBC%
Fuji Provia 100 XP {oZ] 1Qf_
Fuji Provia 100F [gE2lfaEy
Fuji Provia 400X d8K^`k+x
Fuji Sensia 100 C/$IF M<
Fuji Sensia 100 XP lwB!ti
Fuji Superia 100 >]`x~cE.5
Fuji Superia 400 w7W-=\Hvh
Fuji Superia 800 a&<<X:$Hy
Fuji Superia 1600 2-6-kS) c
Fuji T64 WgL! @g
Fuji Velvia 50 &KB{,:)?
Fuji Velvia 100 >ylVES/V
Fuji Velvia 100F ?:2Xh/8-
Kodak E100G RU'J!- w{
Kodak E100VS qjFgy)qV
Kodak E200 AuCVpDH
Kodak E200 XP [ +1
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Kodak Ektachrome 64 mU_O64
Kodak Ektachrome 64T 93rE5eGs
Kodak Ektar 100 Tv KX8 m"
Kodak EliteChrome 160T $pKS['J0
Kodak Gold 100 npF[J x[
Kodak Gold 200 Mu%'cwp$
Kodak Max 800 N f~<x K
Kodak Portra 100T WZr~Pb9
Kodak Portra 160 kDK puA!
Kodak Portra 400 3_ >R's8P
Kodak Royal Gold 400 l%IOdco#
Kodak Ultra Max 400 N$+"zJmw&
Kodak Ultra Max 800 Em 7q@
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme wVVe L$28
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