There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. 6WO7+M;z
THE SCANNER ]4GZ'&m}
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. C d|W#.6
THE FILM O8[k_0@
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. |K)p ]i+
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). 4(8<w cL
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The following films are included in the Classic Lab: >|(%2Zl
Agfa Optima 100 9#fp_G;=
Agfa Precisia CT 100 XP }1F6?do3&
Agfa Vista 100 0#
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Agfa Vista 400 6W:1>,xS
Agfa Vista 800 y<v|X2
Agfa XPS 160 |=u96G~N
CineStill 50D Q ]0r:i=
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CineStill 800T 6J"(xT
Fuji 160C /4-} k
Fuji 160S u>m'FECXj
Fuji 400h KqK9X
Fuji 800Z 2!idy]vy_
Fuji Astia 100 lZvS0J S
Fuji Fortia SP tO`?{?W7
Fuji Provia 100 XP 3t*# !^$
Fuji Provia 100F +0dT^Jkqg
Fuji Provia 400X }\VX^{ K j
Fuji Sensia 100 yYk|YX(7U
Fuji Sensia 100 XP ;.AV;C"
Fuji Superia 100 !pl_Ao~(
Fuji Superia 400 |mvM@V;^8{
Fuji Superia 800 '{CWanTPi
Fuji Superia 1600 ]/[0O+B?
Fuji T64 p>&S7M/9
Fuji Velvia 50 Bi
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Fuji Velvia 100 L:i+}F;M)s
Fuji Velvia 100F #EFMgQO
Kodak E100G iU XM( ]
Kodak E100VS DU`v J2
Kodak E200 @sdS 0pC
Kodak E200 XP NFV_+{X\
Kodak Ektachrome 64
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Kodak Ektachrome 64T BtID;^D z
Kodak Ektar 100 V p H|R
Kodak EliteChrome 160T c(CJ{>F%
Kodak Gold 100 I5Q~T5Ar
Kodak Gold 200 `y x56
Kodak Max 800 mV%h[~-
Kodak Portra 100T /L$NE$D} "
Kodak Portra 160 T$ IUKR
Kodak Portra 400 ~hzE K vs
Kodak Royal Gold 400 Mn{XVXY@qm
Kodak Ultra Max 400 DUhT>,~]
Kodak Ultra Max 800 VW~Xbyf
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme ]xYa yN!n
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