There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. MD|T4PPz,}
THE SCANNER *uW l 804
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. 7qsu0 .[d
THE FILM 2~` vV'K
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. L)(JaZyV5
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). .bYZkO:oy
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The following films are included in the Classic Lab: R.x^
Agfa Optima 100 vG'6?%38
Agfa Precisia CT 100 XP vbBNXy/
Agfa Vista 100 0{Uc/
Agfa Vista 400 R5Pk>-KF
Agfa Vista 800 G." )Bg
Agfa XPS 160 p>oC.[:4a
CineStill 50D Y8v13"P6
CineStill 800T QQI,$HId
Fuji 160C f |%II,!3
Fuji 160S f4 k
Fuji 400h qTZ\;[CrP"
Fuji 800Z aC90IJ8^
Fuji Astia 100 ~F"<N q
Fuji Fortia SP u}r> ?/V!
Fuji Provia 100 XP (1IY OlG4
Fuji Provia 100F A>\5fO
Fuji Provia 400X {{6 D4M|s
Fuji Sensia 100 *jR4OY|DXH
Fuji Sensia 100 XP Nwwn #+
Fuji Superia 100 #B2a ?
Fuji Superia 400 >V%lA3
Fuji Superia 800 <?Ln`,Duk
Fuji Superia 1600 /O[<"Wcz
Fuji T64 kz_gR;"(Z
Fuji Velvia 50 ~%chF/H
Fuji Velvia 100 ~ k"r
Fuji Velvia 100F !\<
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Kodak E100G %8O1 sF
Kodak E100VS !),eEy
Kodak E200 /
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Kodak E200 XP ]J1oY]2~
Kodak Ektachrome 64 +$}3=n34)
Kodak Ektachrome 64T 9epMw-)k
Kodak Ektar 100 ^%n]_[RUn4
Kodak EliteChrome 160T /9pN.E
Kodak Gold 100 9| g]M:{
Kodak Gold 200 .}9Lj
Kodak Max 800 4bs<j
Kodak Portra 100T fZ aTckbE
Kodak Portra 160 ` .z"Q%uz
Kodak Portra 400 J8'1 ~$6
Kodak Royal Gold 400 {=% ,NwPs
Kodak Ultra Max 400 lf w| Q@
Kodak Ultra Max 800
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Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme 6o0 }7T%6
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