There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. >aZ$x/U+Iw
THE SCANNER MyOd WD&7
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. =y/VrF.bV
THE FILM sGCV um}
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. N*Owfr1 N
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). l }?'U
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The following films are included in the Classic Lab: [U ezi1I
Agfa Optima 100 {} ZQK
Agfa Precisia CT 100 XP K@6tI~un
Agfa Vista 100 }Jgz#d
Agfa Vista 400 1_7} B4
Agfa Vista 800 mB$r>G/'
Agfa XPS 160 Zjt3U;Y
CineStill 50D ^z$-NSlI
CineStill 800T AR?J[e
Fuji 160C "YGs<)S
Fuji 160S tLpDIA_8
Fuji 400h e jwFQ'wTx
Fuji 800Z <3QE3;4
Fuji Astia 100 oSt-w{ !
Fuji Fortia SP v.+-)RLQg
Fuji Provia 100 XP c8gdY`
Fuji Provia 100F Od'!v &
Fuji Provia 400X N `/6
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Fuji Sensia 100 [t
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Fuji Sensia 100 XP +E QRNbA
Fuji Superia 100 ~) }npS;
Fuji Superia 400 4.7ePbk[E
Fuji Superia 800 kzGD *
Fuji Superia 1600 ^zQ;8) ng
Fuji T64 jd=k[Yqr
Fuji Velvia 50 8@qYzSx[
Fuji Velvia 100
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Fuji Velvia 100F '1=t{Rw
Kodak E100G S
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Kodak E100VS iy8U rgG;l
Kodak E200 K!k,]90Ko
Kodak E200 XP 8|?$KLz?F>
Kodak Ektachrome 64 Fp-d69 Npo
Kodak Ektachrome 64T 2<y E3:VX
Kodak Ektar 100 0,nDyTS^
Kodak EliteChrome 160T yjpV71!M
Kodak Gold 100 \no[ >L]
Kodak Gold 200 by& #g
Kodak Max 800 b3x!tuQn
Kodak Portra 100T _5.^A&Y*
Kodak Portra 160 < r,l
Kodak Portra 400 X<_(gg
Kodak Royal Gold 400 ge[f/"u
Kodak Ultra Max 400 |~CN]N
Kodak Ultra Max 800 goeWZ O
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme |~W!Y\l-
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