There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. EX"yxZ~
THE SCANNER :'ptuY
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. ->jDb/a{C
THE FILM A}w/OA97RO
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. ?A0)L27UE&
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above).
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The following films are included in the Classic Lab: 'fW-Y!k%
Agfa Optima 100 k f9X$d6
Agfa Precisia CT 100 XP ; @X<lCk
Agfa Vista 100 BLFdHB.$T
Agfa Vista 400 Lj7AZ|k
Agfa Vista 800 fsXy"#mOkD
Agfa XPS 160 5tw hm
CineStill 50D 9JwPSAo;
CineStill 800T H*6W q
Fuji 160C 1H9!5=Ff
Fuji 160S =l SNs
Fuji 400h j1Ezf=N6`
Fuji 800Z p}P-6&k,U
Fuji Astia 100 {G-k NU
Fuji Fortia SP 1mJ Hued=6
Fuji Provia 100 XP ip z5 H*
Fuji Provia 100F < Z$J<]I
Fuji Provia 400X <naz+QK'
Fuji Sensia 100 }2oc#0
Fuji Sensia 100 XP 0`H#
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Fuji Superia 100 |a@L }m
Fuji Superia 400 0 {mex4
Fuji Superia 800 0\$2X- c
Fuji Superia 1600 ! P4*+')M
Fuji T64 2zpr~cB=
Fuji Velvia 50 [ hs ds \
Fuji Velvia 100 `u\n0=go
Fuji Velvia 100F $ Q0n
Kodak E100G 4K74= r),i
Kodak E100VS f
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Kodak E200 JS77M-A c
Kodak E200 XP n@w%Zl
Kodak Ektachrome 64 R-Sym8c
Kodak Ektachrome 64T h];I{crh
Kodak Ektar 100 =M-p/uB]
Kodak EliteChrome 160T AwN!;t_0+N
Kodak Gold 100 X?Au /
Kodak Gold 200 L(\cH b9`
Kodak Max 800 pot~<d`:K"
Kodak Portra 100T IA(5?7x`<
Kodak Portra 160 }WV:erg`
Kodak Portra 400 N g,j#
Kodak Royal Gold 400 :EyD+!LJ
Kodak Ultra Max 400 z{>Rc"%\
Kodak Ultra Max 800 %)n=x
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Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme lfg6 646?S
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