There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. 6_}&
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THE SCANNER Npq K+GO
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. @~1} n/
THE FILM Qx<86aKkF
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. 4TX~]tEyky
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). J7a_a >Y
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The following films are included in the Classic Lab: (
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Agfa Optima 100 #u]'3en
Agfa Precisia CT 100 XP <+3 - (&
Agfa Vista 100 r" 4u)H>
Agfa Vista 400 T' 8d|$X
Agfa Vista 800 ZF@T,i9
Agfa XPS 160 V\|V1 c
CineStill 50D `
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CineStill 800T Q&\(m[: )
Fuji 160C q/qJkr^2
Fuji 160S KdN+$fe*g
Fuji 400h RZ +SOZs7H
Fuji 800Z 7^bde<0
Fuji Astia 100 C] dK/~Z#r
Fuji Fortia SP S29k I J
Fuji Provia 100 XP 3 ]MSS\uB
Fuji Provia 100F &[#iM0;)W0
Fuji Provia 400X Z~[E ZgIg
Fuji Sensia 100 HdR%n
Fuji Sensia 100 XP j t5:rWB
Fuji Superia 100 F4:giu ht
Fuji Superia 400 HuB\92u
Fuji Superia 800 6O@/Y;5i
Fuji Superia 1600 M?[~_0_J
Fuji T64 ?mq<#/qb
Fuji Velvia 50 ZkA05 wPZ#
Fuji Velvia 100 nGoQwKI W
Fuji Velvia 100F md
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Kodak E100G +5<] s+4T
Kodak E100VS )\3
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Kodak E200 |K( j XZ)
Kodak E200 XP f?Am)
Kodak Ektachrome 64 qi 51'@
Kodak Ektachrome 64T dsrKHi
Kodak Ektar 100 =CqZ $
Kodak EliteChrome 160T =wcqCW,]
Kodak Gold 100 3q}fDM(@J
Kodak Gold 200 L!qXt(`
Kodak Max 800 0pW?v: !H
Kodak Portra 100T I%?ia5]H
Kodak Portra 160 V!&O5T (~
Kodak Portra 400 Or:a\qQ1
Kodak Royal Gold 400 h+d \u
Kodak Ultra Max 400 %G43g#pD
Kodak Ultra Max 800 Kf>]M|G c
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme X}5 }M+'~
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