There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. 0+IJ, ;Wx
THE SCANNER < x DD*u
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. sAS\-c'6
THE FILM PIP2( -{ai
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. X
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). c F_`m
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The following films are included in the Classic Lab: c :"*MM RC
Agfa Optima 100 l){l*~5zl2
Agfa Precisia CT 100 XP Q)yhpwrX
Agfa Vista 100 7)G- EAF
Agfa Vista 400 cl{x5>.'#
Agfa Vista 800 (qHI>3tpY
Agfa XPS 160 n5"rSgUtE
CineStill 50D -?<wvUbR{
CineStill 800T JE,R[` &
Fuji 160C tDFN
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Fuji 160S Y cE:KRy
Fuji 400h c ;`
Fuji 800Z nU%rSASu
Fuji Astia 100 u9}}}UN!
Fuji Fortia SP nab:y(]$/
Fuji Provia 100 XP _ ={*<E
Fuji Provia 100F a_'W1ek-@
Fuji Provia 400X [~ ?LOH
Fuji Sensia 100 Wfkm'BnV
Fuji Sensia 100 XP [qlq& ?"
Fuji Superia 100 /Q5pA n -u
Fuji Superia 400 %).phn"ij[
Fuji Superia 800 0w Xfu"E{
Fuji Superia 1600
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Fuji T64 AS`0.RC-
Fuji Velvia 50 h;f5@#F
Fuji Velvia 100 ?rXh
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Fuji Velvia 100F KbVV[ *
Kodak E100G RvV4SlZz
Kodak E100VS y!GjC]/
Kodak E200 NS6Bi3~
Kodak E200 XP y.5mYQA4=[
Kodak Ektachrome 64 s@
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Kodak Ektachrome 64T ymXR#E
Kodak Ektar 100 9I=J#Hi|+
Kodak EliteChrome 160T
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Kodak Gold 100 HY9H?T
Kodak Gold 200 gt6*x=RCrQ
Kodak Max 800 |ap{+ xh
Kodak Portra 100T QsI#Ae,O#;
Kodak Portra 160 b,/fz6
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Kodak Portra 400 kx3H}od]
Kodak Royal Gold 400 -vwkvNn8
Kodak Ultra Max 400 0}hN/2}&
Kodak Ultra Max 800 jfZ(5Qu3.H
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme _WtX8
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