There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. P 9yw&A
THE SCANNER WOb8 "*OM
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. /djACA
THE FILM ptR
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. Xw(3j )xQ
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). z93nYY$`Y
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The following films are included in the Classic Lab: Czh8zB+r
Agfa Optima 100 ITvHD-,\
Agfa Precisia CT 100 XP ZKQo#!}
Agfa Vista 100 ) E~mJln
Agfa Vista 400 %EIUAG
Agfa Vista 800 m/?h2McS
Agfa XPS 160 gz\j(' ~-D
CineStill 50D N cM3P G
CineStill 800T XGk}e4;_
Fuji 160C R0IF '
Fuji 160S ,;3:pr
Fuji 400h ZgBckb
Fuji 800Z #M:B3C!ouY
Fuji Astia 100
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Fuji Fortia SP I}%mfojC
Fuji Provia 100 XP ybYXD?
Fuji Provia 100F -x?H j/
Fuji Provia 400X T#N80BH[
Fuji Sensia 100 .b~OMTHuvM
Fuji Sensia 100 XP JP%RTGu
Fuji Superia 100 l #y gb|=x
Fuji Superia 400 hU+#S(t>b
Fuji Superia 800 _UIgRkl.
Fuji Superia 1600 eoL0^cZj
Fuji T64 B[7 A
Fuji Velvia 50 VO|u8Z"
Fuji Velvia 100 5~yQ>h
Fuji Velvia 100F `&,_xUA
Kodak E100G
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Kodak E100VS H<z30r/-w
Kodak E200 w 3d\0ub
Kodak E200 XP 2<m
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Kodak Ektachrome 64 X&,N}9>B
Kodak Ektachrome 64T 0STk)> 3$-
Kodak Ektar 100 i6A$1(:h
Kodak EliteChrome 160T 2;}xN! 8
Kodak Gold 100 d3(+ztmG!
Kodak Gold 200 U,d2DAv t
Kodak Max 800 i8eA_Q
Kodak Portra 100T {[lx!QF 8&
Kodak Portra 160 U L ck
Kodak Portra 400 %|bN@@
Kodak Royal Gold 400 ~QO<
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Kodak Ultra Max 400 Ks51:M
Kodak Ultra Max 800 9Q=>MOB-
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme BiE$mM
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