There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner.
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. 2-v \3voN
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. hZN<Yd8:
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). " H1:0p
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The following films are included in the Classic Lab: l~1 AT%
Agfa Optima 100 ow.j+ <M
Agfa Precisia CT 100 XP &&PgOFD
Agfa Vista 100 Y= Hz;Ni
Agfa Vista 400 bx>i6
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Agfa Vista 800 / Z!i;@Wf
Agfa XPS 160 4* M@]J "
CineStill 50D GBbh ar},g
CineStill 800T ]a/'6GbR
Fuji 160C |4Ha?W
Fuji 160S xo
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Fuji 400h g j+3y9
Fuji 800Z irMd
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Fuji Astia 100 'm O2t~n
Fuji Fortia SP y $V[_TN
Fuji Provia 100 XP "^%Z'ou
Fuji Provia 100F mP-2s;q
Fuji Provia 400X T~s}N x#
Fuji Sensia 100 U:|H9+5
Fuji Sensia 100 XP 3k' .(P|F
Fuji Superia 100 Wsm`YLYkt!
Fuji Superia 400
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Fuji Superia 800 s;{K!L@
Fuji Superia 1600 .7Kk 2Y
Fuji T64 70Ka!
Fuji Velvia 50 )#`H."Z
Fuji Velvia 100 M !{'ED
Fuji Velvia 100F Q)^g 3J
Kodak E100G >&Fa(o;*
Kodak E100VS SI*^f\lu
Kodak E200 5 =Z!hQ}
Kodak E200 XP <4mQ*6
Kodak Ektachrome 64 rAXX}"l6s
Kodak Ektachrome 64T #D)x}#V\
Kodak Ektar 100 6fwY$K\X
Kodak EliteChrome 160T @ls.&BHUP
Kodak Gold 100 O3%[dR
Kodak Gold 200 SxMj,u%X/
Kodak Max 800 Np)aS[9W
Kodak Portra 100T %^.P~ s6
Kodak Portra 160 Coa -8j*R7
Kodak Portra 400 +v15[^F
Kodak Royal Gold 400 %EI<@Ps8c
Kodak Ultra Max 400 Pp_V5,i\
Kodak Ultra Max 800 ~L4 eZ
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme G;]:$J
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