There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. P,@/ap7J
THE SCANNER XaF;IS@A
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. ^h!}jvqE
THE FILM K_F"j!0
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. |[!7^tU*
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). _%G;^ b
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The following films are included in the Classic Lab: 2Mu@P8O&
Agfa Optima 100 $Y M(NC
Agfa Precisia CT 100 XP C#n.hgo>I
Agfa Vista 100 x>tsI}C
Agfa Vista 400 -ImVXy]?
Agfa Vista 800 B`)TRt+'.
Agfa XPS 160 U".5x~UC
CineStill 50D f4Ob4ah!(
CineStill 800T f7/M _sx
Fuji 160C P'^& SK
Fuji 160S :. u2^*<
Fuji 400h lvx[C7?
Fuji 800Z zX]l$Q+
Fuji Astia 100 Irui{%T
Fuji Fortia SP &v#pS!UO j
Fuji Provia 100 XP f2u4*X
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Fuji Provia 100F Ca-.&$f
Fuji Provia 400X Jl<pWjkZZ
Fuji Sensia 100 w=FU:q/
Fuji Sensia 100 XP X?o6=)SC|
Fuji Superia 100 NMS+'GRW
Fuji Superia 400 T:SqENV
Fuji Superia 800 mt~E&Z(A
Fuji Superia 1600 kD(#LM<9s
Fuji T64 6)c-s|#
Fuji Velvia 50 a4n5i.;
Fuji Velvia 100 PD~vq^@Q
Fuji Velvia 100F "B>8on8O
Kodak E100G rl,i,1t
Kodak E100VS 4~1lP&
Kodak E200 @z^7*#vQv
Kodak E200 XP iJ`zWpj+{Q
Kodak Ektachrome 64 |w{C!Q8l
Kodak Ektachrome 64T $]rC-K:Z
Kodak Ektar 100 md `=2l
Kodak EliteChrome 160T i*r ag0Mw
Kodak Gold 100 UF$O@l
Kodak Gold 200 (/FG#D.
Kodak Max 800 Xl:.`{5L
Kodak Portra 100T kbo9nY1k
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Kodak Portra 160 Hb/8X
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Kodak Portra 400 p3>Md?e
Kodak Royal Gold 400 P *&Cght>0
Kodak Ultra Max 400 Tgl >
Kodak Ultra Max 800 M%WO
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme Nt\0) &b
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