There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. 6,|)%~VUm
THE SCANNER D ~Y 3\KP
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. xem:#>&r
THE FILM Ge;plD-f
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. /TgG^|
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). Ls^$ E
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The following films are included in the Classic Lab: ou@ P#:<B
Agfa Optima 100 7MT[fA8^
Agfa Precisia CT 100 XP <4 Jo1
Agfa Vista 100 WV"{oED
Agfa Vista 400 ?qQRA|n*
Agfa Vista 800 B6 b {hsO
Agfa XPS 160 GZ]; U] _
CineStill 50D 1v Qj` F
CineStill 800T 0: (@Y
Fuji 160C b |*A%?m
Fuji 160S $u9y
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Fuji 400h <vV?VV([
Fuji 800Z Mc6?]wDB]
Fuji Astia 100 cwx O|
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Fuji Fortia SP &?<o692
Fuji Provia 100 XP d(L u|/~
Fuji Provia 100F ~WJEH#
Fuji Provia 400X @BN cIJk9
Fuji Sensia 100 "+ji`{
Fuji Sensia 100 XP %!HmtpS
Fuji Superia 100 DP NUm<>
Fuji Superia 400 )S|}de/a2
Fuji Superia 800 eID"&SSU
Fuji Superia 1600 |!)3[<.
Fuji T64 }_L@CpG
Fuji Velvia 50 f,Sybf/uHh
Fuji Velvia 100 KPUc+`cN%
Fuji Velvia 100F fD<3Tl8U0
Kodak E100G >i4UU0m
Kodak E100VS ' @iS5Fni
Kodak E200 56m|gZcC
Kodak E200 XP a-,BBM 8|
Kodak Ektachrome 64 O(otI-Lc
Kodak Ektachrome 64T wYS,|=y
Kodak Ektar 100 $IQ !g
Kodak EliteChrome 160T w7"Z @$fs
Kodak Gold 100 vF ;%#P
Kodak Gold 200 4y+] V~p
Kodak Max 800 %97IXr E
Kodak Portra 100T mMw&{7b:
Kodak Portra 160 #kV`G. EX
Kodak Portra 400 (+ 9_nAgZ,
Kodak Royal Gold 400 lV^sVN Z]
Kodak Ultra Max 400 ? /~7\ '|Z
Kodak Ultra Max 800 oM$EQd`7
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme >b0e"e Gt
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