There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. {6LS$3}VM
THE SCANNER 4NRj>y
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. 9k93:#{WE
THE FILM Lwtp,.)pR
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. 0xi2VN"X
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). qCVb -f
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The following films are included in the Classic Lab: D
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Agfa Optima 100 X r o5 ~G
Agfa Precisia CT 100 XP 7lYf+&JZ
Agfa Vista 100 F +5
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Agfa Vista 400 ,4 ,Bc<
Agfa Vista 800 cC9Zc#aK
Agfa XPS 160 xGOmvn^lQ
CineStill 50D zB ca$Vp
CineStill 800T @}^VA9ULK
Fuji 160C ~W"@[*6w
Fuji 160S a-#$T)mmfj
Fuji 400h BSkm Fd(*
Fuji 800Z E}zGY2Xx
Fuji Astia 100 `E;xI v|
Fuji Fortia SP `+." X1
Fuji Provia 100 XP "8) %XSb
Fuji Provia 100F [fwk[qFa
Fuji Provia 400X Wt5pK[JV
Fuji Sensia 100 f^}n#
Fuji Sensia 100 XP ?1|\(W#
Fuji Superia 100 Z9MU%*N
Fuji Superia 400 0WZd $
Fuji Superia 800 HXh:8 3
Fuji Superia 1600 J10 /pS
Fuji T64 ?;w`hA3ei
Fuji Velvia 50 ^Et^,I:`
Fuji Velvia 100 !F ?j'[s8]
Fuji Velvia 100F SPe%9J+
Kodak E100G Bvj
Kodak E100VS n[;)(
Kodak E200 6* 1f -IbV
Kodak E200 XP $? Z}hU
Kodak Ektachrome 64 +u |SX/C
Kodak Ektachrome 64T Rc93Fb-Zp
Kodak Ektar 100 \ %xk u:
Kodak EliteChrome 160T a_VWgPVdDS
Kodak Gold 100 mDt!b6N/
Kodak Gold 200 -j Nnx*
Kodak Max 800 Dm?:j9o]g
Kodak Portra 100T non5e)w3@
Kodak Portra 160 b5~p:f-&4B
Kodak Portra 400 am ' K$s
Kodak Royal Gold 400 E>|fbaN-%
Kodak Ultra Max 400 ^!O !HMX0
Kodak Ultra Max 800 7#&Q-3\:
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme 5ld?N2<8/
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