There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. GaNq2 G
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. V/#v\*JHFc
THE FILM T.?k>A k
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. =LH}YUmd
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). X1J;1hRUP
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The following films are included in the Classic Lab: \MYU<6{u
Agfa Optima 100 ! r&Bn6*
Agfa Precisia CT 100 XP z)L}ECZh9
Agfa Vista 100 ~\_T5/I%
Agfa Vista 400 +$beo2x6
Agfa Vista 800 n TnRGf\T
Agfa XPS 160 ~5#)N{GbY
CineStill 50D \gKdD S
CineStill 800T x(r+ P9f\<
Fuji 160C B1T5f1;uY
Fuji 160S r:l96^xs
Fuji 400h D,W\ gP/h%
Fuji 800Z Uxl(9 6
Fuji Astia 100 ?g }kb
Fuji Fortia SP c]m! G'L_/
Fuji Provia 100 XP N7.
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Fuji Provia 100F iK}v`xq
Fuji Provia 400X a>Re^GT+z
Fuji Sensia 100 Gi$gtLtN h
Fuji Sensia 100 XP |+ 7f2C
Fuji Superia 100 NtZ6$o<Y
Fuji Superia 400 @5Q oi~o
Fuji Superia 800 |+E KF.K
Fuji Superia 1600 =Lw3
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Fuji T64 # 3.)H9
Fuji Velvia 50 c;V D}UD'
Fuji Velvia 100 @&R1wr1>I5
Fuji Velvia 100F ;~tsF.=
Kodak E100G O2#S: ~h
Kodak E100VS %jKH?%Ih
Kodak E200 ~Yl$I,
Kodak E200 XP X= _Z(;<&
Kodak Ektachrome 64 kV^?p
Kodak Ektachrome 64T @W9H9 PWv&
Kodak Ektar 100 Ee?;i<u
Kodak EliteChrome 160T i-13~Dk
Kodak Gold 100 Ggd lVi 2
Kodak Gold 200 {rGYRn,
Kodak Max 800 5RhF+p4
Kodak Portra 100T Y1r ,2 k
Kodak Portra 160 VO9 f~>`(
Kodak Portra 400 p{H0dj ^|
Kodak Royal Gold 400 F3 f@9@b
Kodak Ultra Max 400 G1_Nd2w
Kodak Ultra Max 800 *wU dC
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme 6VR18Y!y
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