There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. z/.x*A=
THE SCANNER @8HTC|_vX
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. 14]!LgH
THE FILM !\}Dxt
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. U!XC-RA3
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). y"]?TEd
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The following films are included in the Classic Lab: ; ? '`XB!
Agfa Optima 100 #y&3`N z3
Agfa Precisia CT 100 XP #@;RJJZg
Agfa Vista 100 {<\nl#} 5S
Agfa Vista 400 I
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Agfa Vista 800 !qV{OXdrB
Agfa XPS 160 "
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CineStill 50D zg .'
CineStill 800T rG: IS=
Fuji 160C lV?rC z
Fuji 160S d8C?m*3 J
Fuji 400h %+L:Gm+^g#
Fuji 800Z SJ6lI66OX
Fuji Astia 100 T@U_;v |rf
Fuji Fortia SP z;zy k
Fuji Provia 100 XP 2L[/.|
Fuji Provia 100F ~Hd{+0
Fuji Provia 400X E&Pv:h,pV&
Fuji Sensia 100 ^ W eE%"
Fuji Sensia 100 XP H2BD 5
Fuji Superia 100 ua /A &XQx
Fuji Superia 400 U-QK
Fuji Superia 800 %ErL L@e
Fuji Superia 1600 B0?E$8a
Fuji T64 \tye:!a?;@
Fuji Velvia 50 rqxoqc Z
Fuji Velvia 100 8v8?D8\=|
Fuji Velvia 100F R61.!ql%w
Kodak E100G <K=:_
Kodak E100VS 8Focs p2
Kodak E200 TbXp%O:[W
Kodak E200 XP S`8
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Kodak Ektachrome 64 R56:}<Y,
Kodak Ektachrome 64T %Nwap~=H;
Kodak Ektar 100 N$a LCX
Kodak EliteChrome 160T }y(1mzb
Kodak Gold 100 o|>2X[T
Kodak Gold 200 .5 p"o- :D
Kodak Max 800 &$lz@Z
Kodak Portra 100T G!RbM.6
Kodak Portra 160 t4GG@`
Kodak Portra 400 V k5}d[[l
Kodak Royal Gold 400 !>TVDN>
Kodak Ultra Max 400 b2aPo M=
Kodak Ultra Max 800 :7K cD\fCj
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme [M 65T@v
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