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There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. tJF~Xv2L!
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. vrO$8* sy
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. jO
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). eeTaF!W
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The following films are included in the Classic Lab: +=04X F:
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Agfa Optima 100 `Ta(P30
Agfa Precisia CT 100 XP 4O"kOEkKT>
Agfa Vista 100 |}y}o: (
Agfa Vista 400 yzzre>F
Agfa Vista 800 w^6N
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Agfa XPS 160 MxA'T(Ay
CineStill 50D dC|#l?P
CineStill 800T ]~ eWr2uG?
Fuji 160C N}<U[nh'
Fuji 160S 4 J2F>m40
Fuji 400h KK3xz*W 0
Fuji 800Z SJ_cwYwI$
Fuji Astia 100 )$N{(Cke2T
Fuji Fortia SP ={vtfgxl
Fuji Provia 100 XP Z8 n%=(He
Fuji Provia 100F f]65iE?x
Fuji Provia 400X &fhurzzAm
Fuji Sensia 100 ew ,ed U
Fuji Sensia 100 XP rd~W.b_b
Fuji Superia 100 I{ZPv"9j^
Fuji Superia 400 T eTOj|
Fuji Superia 800 >w;W & [
Fuji Superia 1600 [ |O6n"'
Fuji T64 m)2h l~o_
Fuji Velvia 50 2j BE+k"M
Fuji Velvia 100 Dk6\p~q
Fuji Velvia 100F A;HKR4p;8
Kodak E100G BQ)43R r>
Kodak E100VS j?) `VLZ
Kodak E200 o5@P>\ u>
Kodak E200 XP `%I{l
Kodak Ektachrome 64 5kZ yiC*
Kodak Ektachrome 64T <a}|G1 h
Kodak Ektar 100 BFu9KS+@)
Kodak EliteChrome 160T s(LqhF[N2]
Kodak Gold 100 eL4@ %
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Kodak Gold 200 mzR
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Kodak Max 800 p<['FRf"
Kodak Portra 100T 6U3@-+lF
Kodak Portra 160 )L("t
Kodak Portra 400 \ -id[zKb
Kodak Royal Gold 400 u)]sJ1p
Kodak Ultra Max 400 ?
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Kodak Ultra Max 800 K1nwv"
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme +ANIm^@
