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There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. 2<J82(4j
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. DSIa3! 0
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THE FILM v =L^jw
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. ;aFQ P:l/
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). E*'O))
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The following films are included in the Classic Lab: 55[K[K
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Agfa Optima 100 66BsUA. h
Agfa Precisia CT 100 XP ] #J ]f
Agfa Vista 100 ^y h
Agfa Vista 400 zU}0AVlIL:
Agfa Vista 800 G[wa,j^hu
Agfa XPS 160 f^]2q oN
CineStill 50D MW&;{m?2(
CineStill 800T ciXAyT cG
Fuji 160C JY_' d,O
Fuji 160S swJwy~
Fuji 400h }L E/{]A
Fuji 800Z eH6#'M4+\
Fuji Astia 100 gmM79^CEF
Fuji Fortia SP `@:^(sMo
Fuji Provia 100 XP 5ax/jd~}
Fuji Provia 100F TQ>1u
Fuji Provia 400X '8W }|aF
Fuji Sensia 100 AFY;;_Xks
Fuji Sensia 100 XP E.BMm/WH
Fuji Superia 100 PgxU;N7Y
Fuji Superia 400 L>PpXTWwy
Fuji Superia 800 `5g cc7b
Fuji Superia 1600 Sx pl%
Fuji T64 ]6(NeS+
Fuji Velvia 50 |M+ !O93
Fuji Velvia 100 |m ?0h.O,
Fuji Velvia 100F D!y
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Kodak E100G kdv>QZ
Kodak E100VS }F\0Bl&
Kodak E200
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Kodak E200 XP "V^(i%E;
Kodak Ektachrome 64 xvW+;3;
Kodak Ektachrome 64T d vUJk<;w
Kodak Ektar 100 qUVV374N
Kodak EliteChrome 160T {Ynr(J.
Kodak Gold 100 nGg>lRL
Kodak Gold 200 Qg4qjX](?
Kodak Max 800 0chBw~@*s
Kodak Portra 100T M~^|dR)D
Kodak Portra 160 J%%nv5y
Kodak Portra 400 x0
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Kodak Royal Gold 400 VdYu| w ;v
Kodak Ultra Max 400 TMq\}k-I5
Kodak Ultra Max 800 PInU -"gG
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme tcmG>^YM
