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There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. \ ]
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THE SCANNER |ToCRM
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. 1X\dH<B}
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THE FILM oy90|.]G
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. N_TWT&o4
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). gD0O7KO
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The following films are included in the Classic Lab: {<7!=@j
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Agfa Optima 100 j["b*X`8G
Agfa Precisia CT 100 XP Kx.I'_Qk
Agfa Vista 100 O)|{B>2r
Agfa Vista 400 i,>yIPBU!
Agfa Vista 800 (Nd5VuI
Agfa XPS 160 gE^
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CineStill 50D '6*^s&H~
CineStill 800T ;RNU` I p
Fuji 160C p(/PG+
Fuji 160S L2Ynv4llm
Fuji 400h U CzIOxp}
Fuji 800Z E/@w6uIK[
Fuji Astia 100 \O
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Fuji Fortia SP (i4=}Kn2
Fuji Provia 100 XP g+h)s!$s B
Fuji Provia 100F 3# G;uWN-
Fuji Provia 400X z k8 s?$
Fuji Sensia 100 VH1P C
Fuji Sensia 100 XP -d? 9Acd
Fuji Superia 100 w[@>k@=
Fuji Superia 400 co<-gy/mCR
Fuji Superia 800 VA*~R S
Fuji Superia 1600 jt-C y
Fuji T64 -?gr3rV@
Fuji Velvia 50 -miWXEe@l
Fuji Velvia 100 i8A{DMc ,U
Fuji Velvia 100F MJS4^*B\1
Kodak E100G "HTp1
Kodak E100VS kW>Q9Nc=V
Kodak E200 | FS,Av
Kodak E200 XP ~[bS+ ]d!
Kodak Ektachrome 64 kBY ZNjSz
Kodak Ektachrome 64T *het_;)+{
Kodak Ektar 100 NBzyP)2)
Kodak EliteChrome 160T $PA=7`\MP/
Kodak Gold 100 8:hUj>q x
Kodak Gold 200 kylR)
Kodak Max 800 ]O2ku^yM
Kodak Portra 100T ,@"Z!?e
Kodak Portra 160 ZzET8?8
Kodak Portra 400 qUX
Kodak Royal Gold 400 txM R[o_
Kodak Ultra Max 400 6@ k Kr
Kodak Ultra Max 800 4Eh 2sI
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme ? eD,\G
