vJr,lBHEk
2V 8 "jc
There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. qo:Zc`t(R
pPxgjX
iwIn3R,
THE SCANNER $Ptl&0MN%
;\"5)S
_I)TO_L;
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. uv5NqL&
b+Sj\3fX
NXLb'mH~
THE FILM 6r^Z MW
<|'ETqP<+
,or;8aYc#
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. #Br`;hL<T
5> dA7j^v
This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). wg_Z@iX
%#fjtbeB
;=2JbA+"G
TlO=dLR7d
The following films are included in the Classic Lab: A99 ;bf}"
|5(CzXR]
Agfa Optima 100 ;7[DFlS\P
Agfa Precisia CT 100 XP F.(W`H*1+
Agfa Vista 100 }2Ge??!
Agfa Vista 400
H.h Kh
Agfa Vista 800 K}q5,P (
Agfa XPS 160 "z6p=B"?3
CineStill 50D ^0"fP G`
CineStill 800T V (XU^}b#
Fuji 160C uih8ZmRt
Fuji 160S W rT_7
Fuji 400h uD{^1c3x
Fuji 800Z j*?E~M.'1K
Fuji Astia 100 V6>{k_0{V
Fuji Fortia SP Y q/vym-O5
Fuji Provia 100 XP zgS)j9q}
Fuji Provia 100F p%Q{Rqc)
Fuji Provia 400X %X}D(_
Fuji Sensia 100 a^G>|+8
Fuji Sensia 100 XP DZ`,QWuA
Fuji Superia 100 b L.Xb y<Y
Fuji Superia 400 m[l&&(+J,
Fuji Superia 800 Ur[ai6LNG
Fuji Superia 1600 UU}Hs}
Fuji T64 UQI!/6F
Fuji Velvia 50 d:Z|It
Fuji Velvia 100 rD6NUS
Fuji Velvia 100F 6wOj,}2Mn
Kodak E100G xn=mS!"1Zo
Kodak E100VS q-1vtbn
Kodak E200 f% 8n?f3;u
Kodak E200 XP F:Vl\YZ
Kodak Ektachrome 64 Z3<lJk\Y
Kodak Ektachrome 64T 0LGHSDb
Kodak Ektar 100 P;7[5HFF
Kodak EliteChrome 160T od@!WjcM[8
Kodak Gold 100 * W"Pv,:
Kodak Gold 200 ! qtj1 .w
Kodak Max 800 mE+=H]`.p
Kodak Portra 100T Yjy% MR
Kodak Portra 160 E- X 02A
Kodak Portra 400 _x-2tnIxXv
Kodak Royal Gold 400 \HMuV g'Q
Kodak Ultra Max 400 V[8!ymi0
Kodak Ultra Max 800 lh\ `9F:
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme %YuF w|wO
