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There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. &?C%
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THE SCANNER S_?{ <{
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. x[ l_dmq
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THE FILM uFPJ}m[>5
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. eT 8(O36%
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). O6JH )Ka"S
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The following films are included in the Classic Lab: h# R;'9*V
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Agfa Optima 100 +pDZ,c,
Agfa Precisia CT 100 XP M.B0)
Agfa Vista 100 e$!01Y $HI
Agfa Vista 400 J3/2>N]/}
Agfa Vista 800 vb^/ DMhz
Agfa XPS 160 fePt[U)2
CineStill 50D AcC'hr.N+
CineStill 800T YT:])[gVV
Fuji 160C 7 bcl^~lY
Fuji 160S Z*r;" WHB
Fuji 400h |S0]qt?
Fuji 800Z q]PeS~PjF\
Fuji Astia 100 t<sy7e='
Fuji Fortia SP VL6_in(
Fuji Provia 100 XP k)l*L1Y4:
Fuji Provia 100F ::'DWD1
Fuji Provia 400X Tz/=\_}
Fuji Sensia 100 {|cuu"j 26
Fuji Sensia 100 XP c;RB!`9"
Fuji Superia 100 $ ~ 6Y\O
Fuji Superia 400 KBVW <;C$
Fuji Superia 800 `b XP
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Fuji Superia 1600 d:|(l^]{r
Fuji T64 gie.K1@|
Fuji Velvia 50 w?u4-GT
Fuji Velvia 100 LojEJ
Fuji Velvia 100F \TchRSe
Kodak E100G k2]Q~
Kodak E100VS Z]Zs"$q@
Kodak E200 Iv J ;9d
Kodak E200 XP mn5mdrv3WZ
Kodak Ektachrome 64 z
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Kodak Ektachrome 64T ]U9f4ODt
Kodak Ektar 100 X{8/]'(
Kodak EliteChrome 160T /Q |guJx
Kodak Gold 100 FPg5!O%
Kodak Gold 200 CqF= 5z:A
Kodak Max 800 .tFMa:
Kodak Portra 100T & DUt`Dr w
Kodak Portra 160 zYL</!6a[
Kodak Portra 400 *ud" ?{)Z
Kodak Royal Gold 400 K9-?7 X
Kodak Ultra Max 400 *F ya
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Kodak Ultra Max 800 T*m;G(
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme ="M7 F0k
