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There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. +e"}"]n
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THE SCANNER XT_BiZ%l5O
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. bvR*sT#rg
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THE FILM A1f]HT
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. @]#+`pZ4A
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). uf )W? `e~
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The following films are included in the Classic Lab: p N]H p"v
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Agfa Optima 100 cCV"(Oo[H|
Agfa Precisia CT 100 XP U w`LWG3T
Agfa Vista 100 v981nJ>w,
Agfa Vista 400 n7q-)Dv_U
Agfa Vista 800 |2 wff?
Agfa XPS 160 nZ7v9o9
CineStill 50D D&9j$#9Rh
CineStill 800T Tz L40="F
Fuji 160C W@$p'IBwm
Fuji 160S ;+b}@ e
Fuji 400h #CQ>d8&
Fuji 800Z 83l)o$S
Fuji Astia 100 16G v?
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Fuji Fortia SP r rwsj`
Fuji Provia 100 XP _@prv7e
Fuji Provia 100F X0Oq lAw
Fuji Provia 400X D#t5* bwK
Fuji Sensia 100 n"K7@[d
Fuji Sensia 100 XP M9OFK\)
Fuji Superia 100 lIFU7g
Fuji Superia 400 r&3 fSx9
Fuji Superia 800 )#ujF~w>
Fuji Superia 1600 o"1us75P
Fuji T64 nG%j4r ;
Fuji Velvia 50 Ju9v n44
Fuji Velvia 100 MM8)yCI
Fuji Velvia 100F 5PL,~Y
Kodak E100G l*m|b""].u
Kodak E100VS
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Kodak E200 .RWBn~b#I
Kodak E200 XP tl^[MLQa
Kodak Ektachrome 64 %<muVRkB\
Kodak Ektachrome 64T rz BWk
Kodak Ektar 100 -5ec8m8
Kodak EliteChrome 160T _gGy(`
Kodak Gold 100 !yI)3;$*
Kodak Gold 200 (P>vI'
Kodak Max 800 7:j #1N[p
Kodak Portra 100T 6~/H#8Kdn
Kodak Portra 160 \ 4p<;$'
Kodak Portra 400 e #OU {2X
Kodak Royal Gold 400 [1UqMkXtf
Kodak Ultra Max 400 z0W+4meoH
Kodak Ultra Max 800 x+TNF>%' D
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme 0?h .X= G
