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There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. lv*Wnn@k
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THE SCANNER BF@m )w.v
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. aMe%#cLI
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THE FILM Yk( NZ3O
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. y}s
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). **"zDY*?W
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The following films are included in the Classic Lab: JI28}Cxs0
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Agfa Optima 100 $u/8Rp
Agfa Precisia CT 100 XP &QiAM`MbC=
Agfa Vista 100 &e5^v
Agfa Vista 400 1 8l~4"|fk
Agfa Vista 800 g;|
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Agfa XPS 160 H{p[G hp
CineStill 50D y TMGISX5
CineStill 800T ',v0vyO8
Fuji 160C ,i1 fv
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Fuji 160S 1aXIhk4
Fuji 400h $6qR/#7 4
Fuji 800Z #$9U=^Z[
Fuji Astia 100 rElG7[+)p
Fuji Fortia SP q{N lF$X
Fuji Provia 100 XP f)!{y> Q
Fuji Provia 100F hfVzzVX:
Fuji Provia 400X #)Id J]
Fuji Sensia 100 *}50q9) /
Fuji Sensia 100 XP B$iMU?B3
Fuji Superia 100 fh/)di
Fuji Superia 400 @pyA;>U
Fuji Superia 800 oW` *FD
Fuji Superia 1600 JC1BUheeb
Fuji T64 0hEF$d6U
Fuji Velvia 50 +LvZ87O^~
Fuji Velvia 100 5cv,
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Fuji Velvia 100F 'Y6(4|w
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Kodak E100G 7]0\[9DyJ
Kodak E100VS "' LOaf$X
Kodak E200 .>cL /KaP
Kodak E200 XP `0 /gs
Kodak Ektachrome 64 ^+Y GSg7
Kodak Ektachrome 64T x %!OP\
Kodak Ektar 100 J{v6DYhi
Kodak EliteChrome 160T `qQQQ.K7)z
Kodak Gold 100 @)FXG~C*
Kodak Gold 200 Wl}G[>P
Kodak Max 800 iyHp$~,q?t
Kodak Portra 100T vCrW A-q#
Kodak Portra 160 .-gm" lB
Kodak Portra 400 Xqq?S
Kodak Royal Gold 400 B%?|br
Kodak Ultra Max 400 J@&$U7t
Kodak Ultra Max 800 **
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Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme G!f E'B
