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There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. liXdNk8
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THE SCANNER "HPB!)C8(
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. $m42:a mM
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THE FILM 2Lx3=[ik
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. ?Wz8[u
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). \EVBwE,
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The following films are included in the Classic Lab: t+eVR 8
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Agfa Optima 100 J> \B`E
Agfa Precisia CT 100 XP 3`k;a1Z#O'
Agfa Vista 100 V3"=w&2]K
Agfa Vista 400 xP [ n
Agfa Vista 800 hNzB4 p
Agfa XPS 160 X-wf:h?i
CineStill 50D 1PpyV f
CineStill 800T _'(,
Fuji 160C w u)w
Fuji 160S HaP}Y :p
Fuji 400h @7B$Yy#
Fuji 800Z >(;{C<6|^
Fuji Astia 100 L31HG H2l
Fuji Fortia SP ]w tb-PC
Fuji Provia 100 XP
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Fuji Provia 100F ll C#1
Fuji Provia 400X UX dUO@
Fuji Sensia 100 >k'c' 7/
Fuji Sensia 100 XP !P -^O
Fuji Superia 100 R=|{n'n$0|
Fuji Superia 400 s D=n95`v
Fuji Superia 800 Cvf[/C+
Fuji Superia 1600 - :na: Vsi
Fuji T64 ;A*`e$
Fuji Velvia 50 BG<q IQd
Fuji Velvia 100 Qc p m !
Fuji Velvia 100F } q$ WvY/
Kodak E100G #E&80#Z5
Kodak E100VS *FM Mjz
Kodak E200 }b-g*dn]5
Kodak E200 XP O)jWZOVp >
Kodak Ektachrome 64 A T%u%cE-
Kodak Ektachrome 64T dUQ DO o
Kodak Ektar 100 8@tPm$
Kodak EliteChrome 160T sIxTG y.
Kodak Gold 100 *3?'4"B{8
Kodak Gold 200 'L8'
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Kodak Max 800 0}CGuws
Kodak Portra 100T gy_>`16K
Kodak Portra 160 `tn{ei
Kodak Portra 400 aXoVy&x=
Kodak Royal Gold 400 F 9@h|#an
Kodak Ultra Max 400 WUh$^5W
Kodak Ultra Max 800 OEkN(w F
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme @ g&ct >@y
