AL>c:K)qO
CO-Iar
There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. /8xH$n&xoC
)@}A
r
fL!V$]HNt
THE SCANNER JY{X,?s
q*\NRq
zlH28V
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. +J|+es
X<(6T
`6&`wKz
THE FILM pw@`}cM=
$hh+0hs
JOBz{;:R{
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. m</]D WJ
f:]u` ziM
This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). tY/En-&t
>s&XX,
w
wJ6_I$ >
bqSM DK
The following films are included in the Classic Lab: JX H",""bq
j!YNg*H
Agfa Optima 100 A9
U5,mOz
Agfa Precisia CT 100 XP ]>5T}h
Agfa Vista 100 N99[.mErU
Agfa Vista 400 'KH
lrmnr
Agfa Vista 800 gs?8Wzh90*
Agfa XPS 160 SOVj Eo4'3
CineStill 50D 5XDgs|8
CineStill 800T Pp ,Um(
Fuji 160C ^^%JoQ.
Fuji 160S lM>.@:
Fuji 400h
:-z&Y492
Fuji 800Z '|Qd0,Z
Fuji Astia 100 14mf}"z\
Fuji Fortia SP jz*0`9&_
Fuji Provia 100 XP <mL%P`Jj
Fuji Provia 100F {$;2 HbM(
Fuji Provia 400X zm> >} 5R
Fuji Sensia 100 OY: u',T
Fuji Sensia 100 XP _=pW G^a
Fuji Superia 100 S+r^B?a<oM
Fuji Superia 400 wb
b*nL|P
Fuji Superia 800 ;_}~%-_
~
Fuji Superia 1600 w&%9IJ
Fuji T64 6Lb {r4^
Fuji Velvia 50 ;AKwx|I$g
Fuji Velvia 100 yE#g5V&
Fuji Velvia 100F eNtf#Rqym
Kodak E100G wh%xkXa[ur
Kodak E100VS j !`B'{cH
Kodak E200 vd`O aM}#U
Kodak E200 XP Oukd_Ryf
Kodak Ektachrome 64 80C(H !^
Kodak Ektachrome 64T ML=eL*}l
Kodak Ektar 100 _6ZzuVv3/
Kodak EliteChrome 160T vm8$:W2 }
Kodak Gold 100 s m0fAL
Kodak Gold 200 ?=<~^Lk
Kodak Max 800 c&E]E(
Kodak Portra 100T F%
`zs\
Kodak Portra 160 ]Ko^G_Rm
Kodak Portra 400 ;`DD}j`
Kodak Royal Gold 400 !$_~x
8K1-
Kodak Ultra Max 400 >z(wf>2J
Kodak Ultra Max 800 q]C eD
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme iox bf6{
