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There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. 'oleB_B
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THE SCANNER ZhH+D`9
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. *;<e
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THE FILM \% }raI;Y@
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. O$a#2p&
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). +0VG[ c\8
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The following films are included in the Classic Lab: b.QpHrnhtK
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Agfa Optima 100 IuNkfBe4m
Agfa Precisia CT 100 XP Z.!g9fi8>
Agfa Vista 100 HtxLMzgz<<
Agfa Vista 400 #nKRTb+{
Agfa Vista 800 /:U1!9.y
Agfa XPS 160 _-n Y2)
CineStill 50D 5N\+@grp
CineStill 800T 3 h#s([uL
Fuji 160C aiYo8+{!#
Fuji 160S p~h4\ .*`
Fuji 400h 9o EpPL5
Fuji 800Z z1F9$ ^
Fuji Astia 100 l1&5 uwuF
Fuji Fortia SP yL.^ =
Fuji Provia 100 XP D/Rv&> Jh
Fuji Provia 100F d+tj%7
Fuji Provia 400X My. dD' C
Fuji Sensia 100 DB #$~(o
Fuji Sensia 100 XP `%| u!
Fuji Superia 100 djUihcqA`
Fuji Superia 400 C5Xof|#p|
Fuji Superia 800 &` \ ep9
Fuji Superia 1600 ;TtaH
Fuji T64 1YFeVMc
Fuji Velvia 50 @8|Gh]\P
Fuji Velvia 100 s3seK6x'
Fuji Velvia 100F ~]&B >q
Kodak E100G $57\u/(
Kodak E100VS V{!lk]p}a
Kodak E200 j~epbl) pC
Kodak E200 XP TM0b-W (H
Kodak Ektachrome 64 Vn'?3Eb<
Kodak Ektachrome 64T 6z Ay)~
Kodak Ektar 100 ?9p$XG
Kodak EliteChrome 160T z=qWJQ
Kodak Gold 100 S/VA~,KCe;
Kodak Gold 200 ZW>o5x__b
Kodak Max 800 :<|Z.4}kJb
Kodak Portra 100T .:8[wI_f
Kodak Portra 160 H<,bq*@
Kodak Portra 400 @l{I[pp
Kodak Royal Gold 400 h a5e(Hj?
Kodak Ultra Max 400 glx2I_y
Kodak Ultra Max 800 5C B%=iL{
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme RK-x?ZYH'
