kZ<0|b
IR JN
There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. $ix:S$
S:B$c>
wN
NXU W
THE SCANNER Znr6,[U+q
c"KN;9c,
dynkb901s
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. :m.6a4vx
7[=\b L
+@] , JlYf
THE FILM m.F}9HI%hN
CWT#1L=
\
SCi\j/a(
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. '3<T~t
H=lzW_ (
This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). 1Hl -|n
I]GGmN
zUuOX5-6x
_E %!5u
The following films are included in the Classic Lab: n( RQre
s.|OdC>U =
Agfa Optima 100 \ k4tYL5
Agfa Precisia CT 100 XP uA-1VwW+N
Agfa Vista 100 [}$jO,H5r
Agfa Vista 400 #`]`gNB0Yg
Agfa Vista 800 Cv[_N%3[
Agfa XPS 160 F $/7X~*
CineStill 50D 6v"WI@b4
CineStill 800T ` D/<*e,#
Fuji 160C i~3\jD=<
Fuji 160S mH.c` *
Fuji 400h cN% r\
Fuji 800Z )J^5?A
Fuji Astia 100 8k{Kn H
Fuji Fortia SP b :WA}x V
Fuji Provia 100 XP e5AZU7% .
Fuji Provia 100F :+_uyp2V
Fuji Provia 400X :o3>
Fuji Sensia 100 [KQ #b
Fuji Sensia 100 XP +Y ?) ?
Fuji Superia 100 M ^Z EAZi
Fuji Superia 400 m!5MGq~
Fuji Superia 800
$UD$NSl
Fuji Superia 1600 LZtO Q__B)
Fuji T64 E "%d O
Fuji Velvia 50 *iX PG9XZ
Fuji Velvia 100 ;
,Nvg6c
Fuji Velvia 100F vpq"mpf kh
Kodak E100G p[Zk;AT~
Kodak E100VS E3LEeXcLS
Kodak E200 GIb,y,PDB
Kodak E200 XP ~4+ICCbH
Kodak Ektachrome 64 &=*sN`
Kodak Ektachrome 64T LpK? C<?x
Kodak Ektar 100 y( ceEV
Kodak EliteChrome 160T bMq)[8,N
Kodak Gold 100 \@[Y ~:
Kodak Gold 200 /IQ$[WR cx
Kodak Max 800 Tnv,$KOhs
Kodak Portra 100T P5KpFL `B
Kodak Portra 160 |.K B
Kodak Portra 400 dQn , 0
Kodak Royal Gold 400 E4$y|Ni"
Kodak Ultra Max 400 2=
Y8$-
Kodak Ultra Max 800 cYgd 1
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme 9 !_JV;2
