3YvKHn|V"
t1?aw<
There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. = QBvU)Ki
n~ *|JJ*`
7 9t E
THE SCANNER ^p3 G T6
j9+4},>>CU
D~C'1C&W
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. UGO#o`.G}
jKq*@o~}
>of34 C"DI
THE FILM zS%XmS\
izl6L
aD: #AmbJ
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. \4N8-GwZQ
Zonjk%tC
This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). <O1R*CaP
VRd7H.f,A6
<w9~T TS
|oPRP1F-;e
The following films are included in the Classic Lab: sycAAmH<
K?uZIDo
Agfa Optima 100 +u$l]~St\
Agfa Precisia CT 100 XP pQiC#4b
Agfa Vista 100 L_Ok?9$
Agfa Vista 400 @"7S$@cO
Agfa Vista 800 $XF$ n#ua
Agfa XPS 160 O <Rh[Aqn
CineStill 50D m
Q9dF,
CineStill 800T KqFI2@v
Fuji 160C C y;UyZ
Fuji 160S ME)Tx3d
Fuji 400h i\sBey ND"
Fuji 800Z tAv3 +
Fuji Astia 100 gQeQy
Fuji Fortia SP QL7b<xDQC*
Fuji Provia 100 XP Tc^
0W=h
Fuji Provia 100F EOB8|:*
Fuji Provia 400X :F:1(FDP
Fuji Sensia 100 "`% ,l|D
Fuji Sensia 100 XP t /+;#-
Fuji Superia 100 RD dnOzx
Fuji Superia 400 0i*V ?
Fuji Superia 800 ,\M77V
Fuji Superia 1600 : B^"V\WE
Fuji T64 ^QS`H@+Z
Fuji Velvia 50 *JJ8\ R&P0
Fuji Velvia 100 ^FLs_= E
Fuji Velvia 100F Q4u.v,sE
Kodak E100G {'IO
Kodak E100VS %,T*[d &i
Kodak E200 zZ%[SW&vC
Kodak E200 XP Pe _O(
Kodak Ektachrome 64 UA$IVK&{
Kodak Ektachrome 64T QEr<(wM-y
Kodak Ektar 100 MfL7| b)
Kodak EliteChrome 160T JN
w I{
Kodak Gold 100 1B;2 ~2X
Kodak Gold 200 t%}<S~"
Kodak Max 800 ! 6(3Y
Kodak Portra 100T h3@tZL#g
Kodak Portra 160 \;&;K'
Kodak Portra 400 G Aj%o]}u
Kodak Royal Gold 400 m'"r<]pB*4
Kodak Ultra Max 400 qX@e+&4P0
Kodak Ultra Max 800 /PwiZ A3sA
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme z H]oAu=H
