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There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. uq {w1O5
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THE SCANNER D&: ,,Dp
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. e G =Hyc
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THE FILM Xu2:yf4No*
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. A )tGB&
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). r[ ni{ &
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The following films are included in the Classic Lab: $!H;,Jxv
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Agfa Optima 100 Lzm9Kh;
Agfa Precisia CT 100 XP L9W'TvTwo
Agfa Vista 100 lpv Z[^G
Agfa Vista 400 Gx,<|v
Agfa Vista 800 XOe)tz
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Agfa XPS 160 =c8xg/
CineStill 50D p.~hZ+ x_
CineStill 800T Na=.LW-ma=
Fuji 160C i Glg@
Fuji 160S FhpS#, Y$
Fuji 400h $pr\"!|z
Fuji 800Z z10J8Ms'
Fuji Astia 100 r01Z
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Fuji Fortia SP J2W#vFe\
Fuji Provia 100 XP 9kZ[Z
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Fuji Provia 100F {DlQTgP
Fuji Provia 400X Qqm'Yom%T
Fuji Sensia 100 ;&RBg+Pr
Fuji Sensia 100 XP /Ps/ m!
Fuji Superia 100 Gl ; xd
Fuji Superia 400 o"wvP ~H
Fuji Superia 800 6& xpS9
Fuji Superia 1600 P'l'[Kz{'
Fuji T64 |zd+
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Fuji Velvia 50 >BFUts%
Fuji Velvia 100 +&bJhX
Fuji Velvia 100F h9-^aB$8^
Kodak E100G y=.`:EB9b
Kodak E100VS 5e1 ;m6
Kodak E200 n-P<y
Kodak E200 XP [
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Kodak Ektachrome 64 icS% ])3LF
Kodak Ektachrome 64T t}6QU
Kodak Ektar 100 z{$2bV
Kodak EliteChrome 160T uW;[FTcqy$
Kodak Gold 100 GO4IAUA
Kodak Gold 200 B6UTooj
Kodak Max 800 eO% w
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Kodak Portra 100T /;E{(%U)t
Kodak Portra 160 *62Cf[a
Kodak Portra 400 bAOL<0RS9`
Kodak Royal Gold 400 5NGQWg
Kodak Ultra Max 400 inQ1 $
Kodak Ultra Max 800 u]0{#wu;g
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme ,!
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