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There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. z]=Ks_7
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THE SCANNER $U(D*0+o/
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. \Rha7O
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THE FILM XXQC`%-]<i
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. P$3!4D[
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). `V.tqZF
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The following films are included in the Classic Lab: v[?gM.SF
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Agfa Optima 100 K)h<#F
Agfa Precisia CT 100 XP {7v|\6@e3
Agfa Vista 100 {xP-p"?p
Agfa Vista 400 *Tmqs@L
Agfa Vista 800 ZvK3Su)f1
Agfa XPS 160 ;2^zkmDM
CineStill 50D f< R
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CineStill 800T 6.a>7-K}%
Fuji 160C 1k"i"kRM
Fuji 160S E^~ {thf
Fuji 400h M R,A{X
Fuji 800Z ;#*.@Or@Ah
Fuji Astia 100 w[G-= >;
Fuji Fortia SP J|cw9u
Fuji Provia 100 XP A}3E)Qo=G
Fuji Provia 100F &?gcnMg$,J
Fuji Provia 400X ,V&E"D{u
Fuji Sensia 100 !L_xcov!Y
Fuji Sensia 100 XP [G[{?{
Fuji Superia 100 h-o;vC9fC
Fuji Superia 400 7JY9#+?p>
Fuji Superia 800 h,]lN'JG{
Fuji Superia 1600 $-E<{
Fuji T64 <Zh\6*3:ab
Fuji Velvia 50 FE#| 5;q.
Fuji Velvia 100 DYe w6B-
Fuji Velvia 100F U<'$ \ P
Kodak E100G QqXaXx;
Kodak E100VS jASK!3pY
Kodak E200 DnN+W
Kodak E200 XP DvA#zX[
Kodak Ektachrome 64 U) 3?&9H
Kodak Ektachrome 64T K5(T7S
Kodak Ektar 100 7'`nTF-@v
Kodak EliteChrome 160T SO~pe$c-
Kodak Gold 100 YG>E op
Kodak Gold 200 3@<m/%
Kodak Max 800 9mpQ usM
Kodak Portra 100T U)z1RHP|z
Kodak Portra 160 ; ]rj Kc=
Kodak Portra 400 DG3Mcf@5
Kodak Royal Gold 400 M 2.*]AL
Kodak Ultra Max 400 6O@Lx ]t
Kodak Ultra Max 800 'n?"f |G
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme +^$;oG
