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There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. DHGv<
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THE SCANNER 35Nwx<
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. 1&c>v3 $2
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THE FILM mnL
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. LU4\&fd
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). X"b4U\ A
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The following films are included in the Classic Lab: PRl \W:_t
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Agfa Optima 100 K|];fd U
Agfa Precisia CT 100 XP c ;e-[F 7
Agfa Vista 100 6cSMKbgZJ
Agfa Vista 400 } gyJaM A
Agfa Vista 800 >]Hz-2b
Agfa XPS 160 =If % m9
CineStill 50D H[V^wyi' z
CineStill 800T exV6&bdu
Fuji 160C /ee:GjUkB
Fuji 160S Vn? %w~0!
Fuji 400h ?ECmPS1
Fuji 800Z +V1EqC *
Fuji Astia 100 bv0 B
Fuji Fortia SP -h*Y d)
Fuji Provia 100 XP 8r Xq-V_u
Fuji Provia 100F qAm$yfYs`
Fuji Provia 400X 0.O pgv2K
Fuji Sensia 100 NUb^!E"
Fuji Sensia 100 XP dv-yZRU:
Fuji Superia 100 P]T(I/\g
Fuji Superia 400 Jl&bWp^3
Fuji Superia 800 g^8dDY [%
Fuji Superia 1600 MQE=8 \
Fuji T64 BDxrS q,H
Fuji Velvia 50 nul? 5{z@
Fuji Velvia 100 +GI[
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Fuji Velvia 100F s W+YfJT
Kodak E100G lO8.Q"mxo
Kodak E100VS dra'1E
Kodak E200 #}) Oz| c
Kodak E200 XP r w FR5
Kodak Ektachrome 64 `3kE$h#
Kodak Ektachrome 64T Y\BB;"x1
Kodak Ektar 100 @8Drh x
Kodak EliteChrome 160T z c]F
Kodak Gold 100 !^!<Xz;
Kodak Gold 200 m\7-/e2 a
Kodak Max 800 v83uGEq(
Kodak Portra 100T >1a- }>r
Kodak Portra 160 ~X5 yHf3
Kodak Portra 400 rMSB|*_
Kodak Royal Gold 400 |8&AsQd
Kodak Ultra Max 400 wQ!~c2a<8
Kodak Ultra Max 800 m{!BSl
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme JWy$` "{
