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There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. Bq~!_6fB
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THE SCANNER Xg:w;#r,
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. %M{qr!?uj
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THE FILM `]^0lD=eI
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. xW@y=l Cu
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). cW B>
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The following films are included in the Classic Lab: Q!DH8'|4?L
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Agfa Optima 100 "]M:+mH{]
Agfa Precisia CT 100 XP 3xS+Pu\)
Agfa Vista 100 pvL)BD
Agfa Vista 400 X._skq
Agfa Vista 800 /D OV/>@5%
Agfa XPS 160 Pw`26mB
CineStill 50D S a5+_TW
CineStill 800T ^LfN6{
Fuji 160C 2NS(;tBB0
Fuji 160S W}&[p=PAS
Fuji 400h M fNxd
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Fuji 800Z ^z&eD,
Fuji Astia 100 SMHQo /c r
Fuji Fortia SP eF ]`?AeWQ
Fuji Provia 100 XP GE;S5 X]X
Fuji Provia 100F ML6Y_|6
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Fuji Provia 400X )!+M\ fT
Fuji Sensia 100 ~{Gbu oH
Fuji Sensia 100 XP p <b//^
Fuji Superia 100 ~JjL411pG
Fuji Superia 400 Hc?8Q\O:
Fuji Superia 800 \Fd6Q_
Fuji Superia 1600 A*d Pw.
Fuji T64 ~) !yl. H
Fuji Velvia 50 ${(v
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Fuji Velvia 100 Y+il>.Z
Fuji Velvia 100F a=(D`lQ8
Kodak E100G R mF,x9
Kodak E100VS 4n55{ ?Z
Kodak E200 a YTVYg
Kodak E200 XP YU=Q`y[k
Kodak Ektachrome 64 P2HR4`c
Kodak Ektachrome 64T L=`Q F'Im
Kodak Ektar 100 Swugt"`nN
Kodak EliteChrome 160T O &DkB*-
Kodak Gold 100 c6v@6jzx0Y
Kodak Gold 200 Y"Y%JJ.J
Kodak Max 800 B4tC3r
Kodak Portra 100T #cHH<09 rl
Kodak Portra 160 A0m j!P 9
Kodak Portra 400 m+66x {M2c
Kodak Royal Gold 400 Jo%`N#jG
Kodak Ultra Max 400 K1`Z}k_p.
Kodak Ultra Max 800 0tA~Y26
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme 0L->e(Vf7u
