|.j^G2x
M$,Jg5Dc
There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. mYj f5
;xSRwSNDi(
8dc5 38:q}
THE SCANNER +``>,O6
clHM8$
hgj CXl
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. DZJ eup?Z
PT mf
Y.E?;iS
THE FILM 5+`=t07^et
0[lS( K
-dg} BM
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. {b(rm,%
#xl ZU
This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). Z%Vr+)!4
=]T |h
b 1cd&e
HH7[tGF
The following films are included in the Classic Lab: !@( M_Z'
Wt(Kd5k0'2
Agfa Optima 100 QS\Uq(Ja\
Agfa Precisia CT 100 XP \ZqK\=
Agfa Vista 100 #
2d,U\_
Agfa Vista 400 D^n xtuT*
Agfa Vista 800 [ 4Y[?)7
Agfa XPS 160 "rVU 4F)
CineStill 50D Y7-*2"!
CineStill 800T A x f^hBP
Fuji 160C L4~
W /6A
Fuji 160S .U<F6I:<md
Fuji 400h B n{) |&;
Fuji 800Z Hv3W{|
Fuji Astia 100 6Hda] y
Fuji Fortia SP 2pz4rc
Fuji Provia 100 XP WI6(#8^p
Fuji Provia 100F M=W
4:H,gx
Fuji Provia 400X L/)B}8m\
Fuji Sensia 100 ^L ]B5,} -
Fuji Sensia 100 XP gd
K*"U
Fuji Superia 100 M</Wd{.g"
Fuji Superia 400 <E SvvTf
Fuji Superia 800 oQ{cSTh j
Fuji Superia 1600 qT$ )Rb&
Fuji T64 uN y!< u
Fuji Velvia 50 r4EoJyt
Fuji Velvia 100 r( M[8@Nz
Fuji Velvia 100F %0lf
Kodak E100G nz[
m3]
Kodak E100VS ly[lrD0Kn.
Kodak E200 iyc$)"w
Kodak E200 XP ac|/Y$\w
Kodak Ektachrome 64 4b=Gg
Kodak Ektachrome 64T 2Q}7fht
Kodak Ektar 100 L $SMfx
Kodak EliteChrome 160T ^@K
WYAAW5
Kodak Gold 100 ,aWCiu}
Kodak Gold 200 ?]5Ix1
Kodak Max 800 ?T
<rt
Kodak Portra 100T FJ}gUs{m
Kodak Portra 160 \ZsP]};*
Kodak Portra 400 !O 8.#+
Kodak Royal Gold 400 xdqK.Z%
Kodak Ultra Max 400 ]hL:33
Kodak Ultra Max 800 bf(+ld q
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme mVt3WZa
