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There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. &A`,hF8
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THE SCANNER 3(vm'r&5n>
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. I N;9p w
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THE FILM Kp1 F "!
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. qDhZC*"9#D
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). n:b,zssP
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The following films are included in the Classic Lab: moh,a B#
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Agfa Optima 100 [?;L
Agfa Precisia CT 100 XP fX6pW%Q'6
Agfa Vista 100 &^ uaoB0
Agfa Vista 400 `Mcg&M i~
Agfa Vista 800 YI > xxWA
Agfa XPS 160 2 tCw{Om*
CineStill 50D U>m{B|H
CineStill 800T W
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Fuji 160C ,dw \y/dn
Fuji 160S QnS#"hc\a
Fuji 400h 1uR@ZK
Fuji 800Z d6 -q"
Fuji Astia 100 VM\\. L
Fuji Fortia SP aGsO ~ODc
Fuji Provia 100 XP w(t1m]pF[
Fuji Provia 100F .;.Zbhm
Fuji Provia 400X p=Le oc 1
Fuji Sensia 100 M"u=)CT
Fuji Sensia 100 XP ]#rV]As
Fuji Superia 100 * LWihal
Fuji Superia 400 T4gfQ6#
Fuji Superia 800 4mEJu
Fuji Superia 1600 cz>)6#&O
Fuji T64 Q u7ML]e?z
Fuji Velvia 50 1/qD5 *`Y
Fuji Velvia 100 F M YcZ+4
Fuji Velvia 100F QZa^ Cng~
Kodak E100G (x.qyYEoI
Kodak E100VS h4MBw=Tz~
Kodak E200 @~N"MsF3
Kodak E200 XP 61OlnmvE
Kodak Ektachrome 64 &jQqlQ j
Kodak Ektachrome 64T $ndBT+ i
Kodak Ektar 100 riaL[4c
Kodak EliteChrome 160T A )CsF
Kodak Gold 100 \F\7*=xk
Kodak Gold 200 % W| Sl
Kodak Max 800 fQg^^ZXe"
Kodak Portra 100T ,!g/1m
Kodak Portra 160 oWi#?'
Kodak Portra 400 \u[5O@v#
Kodak Royal Gold 400 .*>C[^
Kodak Ultra Max 400 CRrEs
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Kodak Ultra Max 800 a|3+AWL%
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme l[m*csDk"
