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There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. :i{$p00
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THE SCANNER =2sj$
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. s> d /9 b
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THE FILM ;0R|#9oX_
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. :Ng4?
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). ]J`yh$a
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The following films are included in the Classic Lab: 0iy-FV;J
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Agfa Optima 100 kTCW yc
Agfa Precisia CT 100 XP .tFMa:
Agfa Vista 100 y7&8P8R
Agfa Vista 400 kaKV{;UM
Agfa Vista 800 u<}PcI.
Agfa XPS 160 *qh$,mp>
CineStill 50D G/cE2nD
CineStill 800T RA 5*QW
Fuji 160C FNQR sNi
Fuji 160S C}})dL;(
Fuji 400h ?/EyfTex
Fuji 800Z vbol 70
Fuji Astia 100 1m$< %t.>
Fuji Fortia SP $ U~3$*R
Fuji Provia 100 XP Er 4P
Fuji Provia 100F Muhq,>!U
Fuji Provia 400X ^N{L au
Fuji Sensia 100 /CXrxeo
Fuji Sensia 100 XP n aQ0TN,
Fuji Superia 100 x+mf QcSD&
Fuji Superia 400 L%3m_'6Q P
Fuji Superia 800 J}c`\4gD
Fuji Superia 1600 x{Gd r51%
Fuji T64 n_8wYiBs(
Fuji Velvia 50 i2h,=NHJh?
Fuji Velvia 100 4^? J BpBZ
Fuji Velvia 100F p-KMELB
Kodak E100G jsXj9:X I
Kodak E100VS MV+S .`R
Kodak E200 QvPG
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Kodak E200 XP k@,&'imx
Kodak Ektachrome 64 hqPpRSv'
Kodak Ektachrome 64T T~*L [*F0
Kodak Ektar 100 +N~?_5lv\s
Kodak EliteChrome 160T #<^ngoOj
Kodak Gold 100 !'ylh8}
Kodak Gold 200 zVSbEcr,C~
Kodak Max 800 b[mAkm?9+1
Kodak Portra 100T uU7s4oJ|
Kodak Portra 160 \|OW`7Q)k
Kodak Portra 400 ;PBybR W
Kodak Royal Gold 400 .H.#W1`
Kodak Ultra Max 400 e ~wuoE:M3
Kodak Ultra Max 800 q;XO1Se
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme yUZ;keQ_Tw
