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There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. PW9tZx#
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THE SCANNER u#3Cst8Y
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. xI~ c~KC
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THE FILM |Lc.XxBkc
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. \r &(l1R
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). cn'r BY
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The following films are included in the Classic Lab: kB-<17
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Agfa Optima 100 ^K^rl 9
Agfa Precisia CT 100 XP ?jnbm'~S
Agfa Vista 100 :/;;|lGw
Agfa Vista 400 z~;@Mo"*f
Agfa Vista 800 Ul|htB<1:
Agfa XPS 160 jf&
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CineStill 50D w X.]O!^X~
CineStill 800T L0Z AF2O
Fuji 160C <"LA70Hkk
Fuji 160S {%X[Snv
Fuji 400h q)tNH/
Fuji 800Z vGp`P
Fuji Astia 100 ]yas]5H
Fuji Fortia SP So#> x5dL
Fuji Provia 100 XP yuF\YOA9
Fuji Provia 100F 1*B'o<?P1
Fuji Provia 400X UR[UZ4G
Fuji Sensia 100 0|(6q=QK
Fuji Sensia 100 XP ~8[`(/hj
Fuji Superia 100 }`uq:y
Fuji Superia 400 zB qNE`
Fuji Superia 800 . 3xf!E*
Fuji Superia 1600 -nB.
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Fuji T64 h9 + 7 6
Fuji Velvia 50
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Fuji Velvia 100 4& 9V
Fuji Velvia 100F et`rPK~m
Kodak E100G /tq e:*
Kodak E100VS kyUG+ M
Kodak E200 ~|`jIqU
Kodak E200 XP a,[Nc dG
Kodak Ektachrome 64 1(
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Kodak Ektachrome 64T =5g|7grQ:`
Kodak Ektar 100 OC `Mzf%.
Kodak EliteChrome 160T 7i9wfc h$U
Kodak Gold 100 ,^qHl+'
Kodak Gold 200 4aG}ex-s|
Kodak Max 800 sQT<I]e
Kodak Portra 100T z-`4DlJU S
Kodak Portra 160 7*47m Jyc
Kodak Portra 400 A* ? Qm
Kodak Royal Gold 400 ;-kg3fGB1Q
Kodak Ultra Max 400 `W4Is~VVv
Kodak Ultra Max 800 4 9 1 1
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme OF`:);
