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There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. ]e@Oiq
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THE SCANNER ;sFF+^~L
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. l1Fc>:o{
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THE FILM v/=}B(TDF
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. SasJic2M
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). =w0R$&b&
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The following films are included in the Classic Lab: (Ep\Z 6*
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Agfa Optima 100 '2^Q1{ :\
Agfa Precisia CT 100 XP kMd.h[X~
Agfa Vista 100 AYx{U? 0p
Agfa Vista 400 q5:N2Jmo?z
Agfa Vista 800 VW4r{&rS
Agfa XPS 160 I~XSn>-H
CineStill 50D cExS7~*
CineStill 800T "'\$
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Fuji 160C q'8 2qY
Fuji 160S \)|hogI|f
Fuji 400h !C: $?o U
Fuji 800Z 4{` { WI{
Fuji Astia 100 '! $Rw"K.
Fuji Fortia SP ^y%T~dLkp'
Fuji Provia 100 XP MFk5K
Fuji Provia 100F yz8jw:d^-
Fuji Provia 400X J/*`7Pd
Fuji Sensia 100 n ?Nt6U
Fuji Sensia 100 XP aw42oLk
Fuji Superia 100 ~/P[J
Fuji Superia 400 ~$?ZK]YOrx
Fuji Superia 800 0"bcdG<}
Fuji Superia 1600 b SU~XGPB
Fuji T64 @MCg%Afw
Fuji Velvia 50 %bf Q$a:
Fuji Velvia 100 D d</`iUq
Fuji Velvia 100F D}X\Ca"h
Kodak E100G N ?"]
Kodak E100VS CzEd8jeh7
Kodak E200 n6a`;0f[R
Kodak E200 XP 04=c-~&q
Kodak Ektachrome 64 <e</m)j
Kodak Ektachrome 64T 3:i@II
Kodak Ektar 100 ]?[fsdAQW
Kodak EliteChrome 160T @I!0-OjL
Kodak Gold 100 *!7 O~yQ
Kodak Gold 200 d-dEQKI?;
Kodak Max 800 S|`o]? nc>
Kodak Portra 100T JFk
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Kodak Portra 160 )P |),S,;Z
Kodak Portra 400 B 0]~el
Kodak Royal Gold 400 |#
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Kodak Ultra Max 400 Q$Q([Au
Kodak Ultra Max 800 Npy : !
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme c\ l kD-\
