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There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. ;B7|tajd
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THE SCANNER ]Oh>E CA|D
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. F7Yuk y
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THE FILM pR7G/]U$A
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. ]
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). Yy~ Dg
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The following films are included in the Classic Lab: 'N/%SRk
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Agfa Optima 100 a2)*tbM 9\
Agfa Precisia CT 100 XP t$D[, $G9
Agfa Vista 100 Z{)|w=
Agfa Vista 400 #!j&L6
Agfa Vista 800 1fp&"K:yR
Agfa XPS 160 b|'LtL$Y
CineStill 50D [beuDZA
CineStill 800T zMg^2{0L
Fuji 160C md_s2d
Fuji 160S r 24]2A
Fuji 400h ?& ^l8gE
Fuji 800Z oYm"NDS_.
Fuji Astia 100 hrxASAfg6
Fuji Fortia SP t~#+--(
Fuji Provia 100 XP udr'~,R
Fuji Provia 100F r|$g((g
Fuji Provia 400X Jq @ LZ2^
Fuji Sensia 100 uty]-k
Fuji Sensia 100 XP !aoO,P#j
Fuji Superia 100 aq**w?l
Fuji Superia 400 Ok"we c+,
Fuji Superia 800 KA[Su0
Fuji Superia 1600 O4 URr
Fuji T64 X,Q(W0-6$u
Fuji Velvia 50 lsxii-#O
Fuji Velvia 100 ../(gG9
Fuji Velvia 100F s A j$U^Gp
Kodak E100G cW>`Z:6{K
Kodak E100VS ~$ Yuxo
Kodak E200 TQfY%GKg(
Kodak E200 XP p{u}t!`!d
Kodak Ektachrome 64 #jR?C9&!(
Kodak Ektachrome 64T 9$t@Gm n
Kodak Ektar 100 nI` 1@ vB&
Kodak EliteChrome 160T artS*fv3r
Kodak Gold 100 !2,.C+,
Kodak Gold 200 Jx,s.Z0@7,
Kodak Max 800 v0p EN\
Kodak Portra 100T &$
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Kodak Portra 160 }0*7 bb
Kodak Portra 400 U_04QwhK7
Kodak Royal Gold 400 8 F 1ga15
Kodak Ultra Max 400 !"">'}E 1
Kodak Ultra Max 800 oOvbel`;
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme C_;6-Q%V
