)r tomp:X
1G^#q,%X_v
There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. dl~|Izm
ae+*=,
{38bv. 3'
THE SCANNER e0HfP v_
HM9fjl[
,"2TArC'z
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. 7cTk@Gq
y~
rX l
*>[3I}mM
THE FILM (u1m]WYL
(k?7:h
#,NvO!j<4
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. z=Cr7-
5h {`<W
This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). k cuzB+
jZ*WN|FK?
rS8 w \`_
q_[G1&MC
The following films are included in the Classic Lab: k g97S
p&b5% 4P
Agfa Optima 100 kHK0( bYK
Agfa Precisia CT 100 XP I]`-|Q E
Agfa Vista 100 n/4i|-^
Agfa Vista 400 cr;`Tl~}s
Agfa Vista 800 r@G#[.*A>
Agfa XPS 160 yxWO [ Z
CineStill 50D }6u2*(TmD
CineStill 800T Ond'R'3 \E
Fuji 160C &[[K"aM1
Fuji 160S j2 %^qL
Fuji 400h !|Q5Zi;aX7
Fuji 800Z SU.ythU2,c
Fuji Astia 100 <wd]D@l7r
Fuji Fortia SP 60>.ul2
Fuji Provia 100 XP >SbK.Q@ei
Fuji Provia 100F 9 ; i\g=
Fuji Provia 400X ??&<k
Fuji Sensia 100 vX|UgK?2^
Fuji Sensia 100 XP 9i q""
Fuji Superia 100 aM3gRp51cj
Fuji Superia 400 aHzHvl
Fuji Superia 800 {w6/[ -^
Fuji Superia 1600 0Q5^C!K
Fuji T64 /e@H^Cgo
Fuji Velvia 50 jM)C4ii.-$
Fuji Velvia 100 |a^ U]
Fuji Velvia 100F ~FU@wV^
Kodak E100G ~ 5"JzT
Kodak E100VS {FO$yw=>
Kodak E200 1fU,5+PH
Kodak E200 XP zg) sd1@
Kodak Ektachrome 64 @ R|'X
Kodak Ektachrome 64T jNDx,7F-
Kodak Ektar 100 V^s0fWa
Kodak EliteChrome 160T XzIx: J6
Kodak Gold 100 }f} } A =
Kodak Gold 200 Ah69
_>N`S
Kodak Max 800 <.K4 Jlb T
Kodak Portra 100T rVnd0K
Kodak Portra 160 r=.A'"Kf
Kodak Portra 400 l `9t}
Kodak Royal Gold 400 t<iEj"5
Kodak Ultra Max 400 ,5
j"ruZ
Kodak Ultra Max 800 I^\&y(LJF
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme
08bJCH
