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There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. ~JjL411pG
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THE SCANNER *v1M^grKd
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. YbaaX{7^
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THE FILM p,_,o3@~
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. >eX& HS oy
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). 0$RZ~
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The following films are included in the Classic Lab: 50,`=Z
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Agfa Optima 100 l%vX$Kw
Agfa Precisia CT 100 XP <(YE _<F*
Agfa Vista 100 ZJL8"(/R
Agfa Vista 400 !O;su~7
Agfa Vista 800 6T-h("t
Agfa XPS 160 yVF1*#"
CineStill 50D ~Mk{2;x
CineStill 800T <( "M;C3y
Fuji 160C x`7Ch3`4}
Fuji 160S N=Q<mj;,
Fuji 400h 9f UD68Nob
Fuji 800Z G$# Q:]N
Fuji Astia 100 m Acny$u
Fuji Fortia SP 0r<?Ve
Fuji Provia 100 XP 4:umD*d 3E
Fuji Provia 100F ie<zc+*rW
Fuji Provia 400X 4XL$I*;4
Fuji Sensia 100 G 6W _)YL
Fuji Sensia 100 XP Y-I u&H+\
Fuji Superia 100 dO?zLc0f
Fuji Superia 400 /-J
Fuji Superia 800 .>QzM >zO
Fuji Superia 1600 o!6~tO=%
Fuji T64 m1pge4*
Fuji Velvia 50 u{|
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Fuji Velvia 100 ^)J2tpr;]=
Fuji Velvia 100F *lZ;kW(}p
Kodak E100G ^pB}eh.@U
Kodak E100VS ;$a + >
Kodak E200 !sknO53`H`
Kodak E200 XP D.[h`Hkc
Kodak Ektachrome 64 H1b HQB
Kodak Ektachrome 64T fnXYp
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Kodak Ektar 100 m!22tpb
Kodak EliteChrome 160T GGM|B}U p
Kodak Gold 100 ppm =o4`s[
Kodak Gold 200 Zr(4Q 9fDo
Kodak Max 800 (M0"I1g|w
Kodak Portra 100T _ h6j, )
Kodak Portra 160 $&25hvK ,
Kodak Portra 400 %>p[;>jW
Kodak Royal Gold 400 h D> ] \u
Kodak Ultra Max 400 \T'.b93~B
Kodak Ultra Max 800 7$"A2 x
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme O'M o/
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