1;sAt;/W8
Hqy>!1 !
There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. &~ 6O;}\
81 Not
G&B}jj
THE SCANNER YXOD
fd%L
%Y[/Ucdm
=<tEc+!T3
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. 0iq$bT|
Kct +QO(
d:ajD
THE FILM W..>Ny;'3
%=>xzP(z
biuo.OG]
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. ^E,Uc K;
zm.sX~j
This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). 7 "U,N; y
DO* C]
Y'":OW#oN
<GlV!y
The following films are included in the Classic Lab:
MO+0]uh:
6: X\vw
Agfa Optima 100
BNUf0;
Agfa Precisia CT 100 XP $G.|5sEk
Agfa Vista 100 j Yx(
Agfa Vista 400 N>iCb:_
T;
Agfa Vista 800 >}tG^ )os
Agfa XPS 160 !KW)*
CineStill 50D Q |r 1.
CineStill 800T MH(g<4>*
Fuji 160C '\qr=0aW
Fuji 160S 5.;$9~d
Fuji 400h %-1-J<<J
q
Fuji 800Z ;0{*V5A
Fuji Astia 100 cSW VHr
Fuji Fortia SP )^xmy6k
Fuji Provia 100 XP y$ W3\`2q
Fuji Provia 100F ,o6: V]a
Fuji Provia 400X 'KrkC A
Fuji Sensia 100 <\
c8q3N
Fuji Sensia 100 XP .;Yei6H
Fuji Superia 100 m Sp7H!
Fuji Superia 400 [^ P2Kn
Fuji Superia 800 Unk+@$E&
Fuji Superia 1600 !y0
O['7
Fuji T64 P_%l}%
Fuji Velvia 50 ~|]\. ^B
Fuji Velvia 100 uQ) ] g
Fuji Velvia 100F $*> _0{<
Kodak E100G `84yGXLK
Kodak E100VS =v;@w$ #
Kodak E200 C*zdHzMj
Kodak E200 XP 7qp|Msf},
Kodak Ektachrome 64 fR{7780WZ
Kodak Ektachrome 64T &Kwt vUN{
Kodak Ektar 100 X S@6jbLE
Kodak EliteChrome 160T ax }Xsk_
Kodak Gold 100 -': tpJk
Kodak Gold 200 (.) s =
Kodak Max 800 4 \iQ%fb
Kodak Portra 100T J >&GP#7}
Kodak Portra 160 @[lr
F7`o
Kodak Portra 400 ObnB6ShKi
Kodak Royal Gold 400 j'cS_R
Kodak Ultra Max 400 M3;B]iRQD
Kodak Ultra Max 800 ^|z>NV5>
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme .$;GVJ-: 5
