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There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. S5TVfV5LI
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THE SCANNER 65~E<)UJ
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. 5<ruN11G
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THE FILM C-c'"FHq
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. ~KS@Ulrox
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). pK3A/ry<
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The following films are included in the Classic Lab: d%'#-w'
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Agfa Optima 100 )f:i4.M
Agfa Precisia CT 100 XP
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Agfa Vista 100 lF}@@e)N
Agfa Vista 400 "V]*ov&[
Agfa Vista 800 R~oJ-}iYX
Agfa XPS 160 3qe`#j
CineStill 50D X<;.
CineStill 800T *GE6zGdN
Fuji 160C "PI;/(kR
Fuji 160S E! NtD).=S
Fuji 400h mv8H:T
Fuji 800Z =exCpW>
Fuji Astia 100 d|NW&PG
Fuji Fortia SP ,6g{-r-2
Fuji Provia 100 XP ch0^g8@Q[
Fuji Provia 100F lUEbxN
Fuji Provia 400X $"/l*H\h
Fuji Sensia 100 6J,h}S
Fuji Sensia 100 XP [6mK<A,/
Fuji Superia 100 oa"Bpi9i
Fuji Superia 400 R'c dEoy
Fuji Superia 800 z U[pn)pe
Fuji Superia 1600 x7zc3%T's
Fuji T64 :wIA.1bK}
Fuji Velvia 50 ~+4lmslR
Fuji Velvia 100 o[!o+M
Fuji Velvia 100F d5gwc5X
Kodak E100G *%;A85V/
Kodak E100VS u$a K19K/
Kodak E200 w ea
Kodak E200 XP U U_0@V<
Kodak Ektachrome 64 F-|DZ?)k5
Kodak Ektachrome 64T ?l6yLn5si^
Kodak Ektar 100 .euAN8L
Kodak EliteChrome 160T `S|F\mI~
Kodak Gold 100 x&;AY
Kodak Gold 200 %;QK5L
Kodak Max 800 5 [~HL_u;,
Kodak Portra 100T ZSQiQ2\)
Kodak Portra 160 EWDsBNZaI
Kodak Portra 400 Vp]7n!g4l
Kodak Royal Gold 400 ^;PjO|mD
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Kodak Ultra Max 400 R|qrK
Kodak Ultra Max 800 M{24MF
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme fKY-@B[|