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There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. }lQn] q
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THE SCANNER c^q O@%s
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A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. ;74 DT
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THE FILM E]e[Ty1
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The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. *U[Q =w
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This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). nms<6kfzL
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The following films are included in the Classic Lab: 3=eGS
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Agfa Optima 100 &@.=)4Y
Agfa Precisia CT 100 XP 2>_LX!kyP]
Agfa Vista 100 Ee?K|_\${
Agfa Vista 400 t$kf'An}/
Agfa Vista 800 }od7YL
Agfa XPS 160 HS7
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CineStill 50D 8G^B%h]
CineStill 800T 36Fa9P FCc
Fuji 160C ~bm2_/RL
Fuji 160S A`ertSlbhe
Fuji 400h H9a3 rA>
Fuji 800Z -|iA!w#31
Fuji Astia 100 '/]A af@U8
Fuji Fortia SP uEi.nSp)S
Fuji Provia 100 XP i|! 9o:
Fuji Provia 100F Ga/\kO)x_
Fuji Provia 400X bD^ob.c.A
Fuji Sensia 100 R~mMGz
Fuji Sensia 100 XP B0?@ k
Fuji Superia 100 9#$V1( }?
Fuji Superia 400 1) kl
Fuji Superia 800 QH? 2v
Fuji Superia 1600 y0y;1N'KK
Fuji T64 otnY{r *
Fuji Velvia 50 E/Gs',Y
Fuji Velvia 100 *ytd.^@r
Fuji Velvia 100F YdL1(|EdM
Kodak E100G /)OO)B-r
Kodak E100VS mDt",#g
Kodak E200 \iTP Jcb5
Kodak E200 XP :^.8 7>V7
Kodak Ektachrome 64 M97p.; ;
Kodak Ektachrome 64T ,Z\,IRn
Kodak Ektar 100 9g,L1 W*
Kodak EliteChrome 160T ~}9H<K3V
Kodak Gold 100 # z54/T
Kodak Gold 200 >|&OcU
Kodak Max 800 L08 ;z
Kodak Portra 100T SvpTs
Kodak Portra 160 VDI S`E
Kodak Portra 400 Ognq*[om
Kodak Royal Gold 400 lNp:2 P
Kodak Ultra Max 400 kQiW 5
Kodak Ultra Max 800 .6-o?=5
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme K#pt8Q
