_zM?"16I}
hN=kU9@knC
There are many approaches to translating an analog film with a preset into the digital world. VSCO, ReallyNiceImages, Mastin Labs, they all have their own idea of what a Kodak Portra 400 should look like. But we analog enthusiasts know it's all a matter of interpretation. There is no 'film looks like this'. If a negative film is scanned, it still has to be converted into a positive and here you quickly notice that there are many possible interpretations. Silverfast isn't as neutral as Vuescan and a Lab scanner sometimes seems to be able to do magic. If you nod in agreement now, then you are probably either Team Frontier SP-3000 or Team Noritsu HS-1800. But maybe you don't feel like a 3F-Scan from a Flextight X5? The Classic Lab does not only emulate the film, but also the scanner. t8 55 |
K3
BWj33
~< UYJc
THE SCANNER SWI\;:k
zzI,iEG
:KX*j$5U
A profile emulates the scanner. Here the colors and tonal values are moved to the correct starting position to provide a perfect basis for the preset. This is where the magic of the Lab Scanner happens. This edition is inspired by the famous Flextight X5. tyW[i8)O}
z, m3U (
9H4"=!AAgD
THE FILM urx?p ^c
86-R m
v+Y^mV`|
The preset emulates the film and moves within the frame allowed by the scanner profile. All presets are optimized to offer the greatest possible analog charm with the best dynamic range. R,PN?aj
3-:^mRPJ
This product will work with Adobe Lightroom CC (cloud based Version), CameraRAW (10.3 and above) and Classic CC (7.3 and above). a1 I-d=]
WeH_1$n5
<>n|_6'$90
Y1sK sdV
The following films are included in the Classic Lab: ,#, K_o z
AhOBbss]q
Agfa Optima 100 ,=Wj*S)~
Agfa Precisia CT 100 XP 4+ d(d
Agfa Vista 100 Zh;}Q( w
Agfa Vista 400 dS 4/spNq
Agfa Vista 800 XZ@+aG_%q
Agfa XPS 160 6-"tQ,AZ
CineStill 50D -YQS\@?
CineStill 800T ] 6`K
Fuji 160C ,.*D f)+
Fuji 160S ]$ s)6)kW
Fuji 400h zsQkI@)sO
Fuji 800Z Hi K+}?I
Fuji Astia 100 ZR3,dW6S
Fuji Fortia SP ATc!c +
Fuji Provia 100 XP EmUn&p%hI
Fuji Provia 100F &4WA/'>R
Fuji Provia 400X }\8-&VoY#X
Fuji Sensia 100 w ]T_%mdk
Fuji Sensia 100 XP Y_y!$jd(N
Fuji Superia 100 ]JGq{I>%+6
Fuji Superia 400 C 7m/<
Fuji Superia 800 (NR( )2
Fuji Superia 1600 6vNn;-gg.
Fuji T64 =d5;F`m
Fuji Velvia 50 %{r3"Q=;W
Fuji Velvia 100 zB+e;x f |
Fuji Velvia 100F Z*q&^/N
Kodak E100G B!quj!A
Kodak E100VS @(6i 1Iwu9
Kodak E200 cOpe6H6,bz
Kodak E200 XP X! z-J>
Kodak Ektachrome 64 pwHe&7e#
Kodak Ektachrome 64T !f Av xR
Kodak Ektar 100 BRu}"29
Kodak EliteChrome 160T .bp#YU,m
Kodak Gold 100 '*Dp2Y {7
Kodak Gold 200 Ucy=I $"
Kodak Max 800 H*<E5^#dw
Kodak Portra 100T {*h FG:u
Kodak Portra 160 cL4Go,)w
Kodak Portra 400 ;2 g.X(Ra
Kodak Royal Gold 400 5D7 L) >
Kodak Ultra Max 400 3A"TpR4f`
Kodak Ultra Max 800 [Nm?qY
Pictures by Lucas Coersten, Maximilian Goedecke and André Duhme C "@>NC_
